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Fragen Sie ihren...</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2011/07/img_5701_2.jpg</image:loc><image:title>IMG_5701_2</image:title><image:caption>Keine Ahnung, warum der Beethoven so viel schreiben musste.</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2011/07/img_5699.jpg</image:loc><image:title>IMG_5699</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2011/07/img_5660_2.jpg</image:loc><image:title>IMG_5660_2</image:title><image:caption>Ich weiß auch nicht, warum Beethoven so viel schreiben musste. 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in Berlin</image:caption></image:image><lastmod>2023-02-27T19:18:56+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/10/10/juraj-valcuha-berliner-philharmoniker-nikolaj-znaider-tschaikowsky/</loc><lastmod>2023-02-27T19:13:46+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2020/01/20/ultraschall-berlin-2020-iii-verunelli-ratkje-guerrero-levy/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2020/01/ultraschall-gordon.jpg</image:loc><image:title>Ultraschall Gordon</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2020/01/ultraschall-abgesang.jpg</image:loc><image:title>Ultraschall 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berlin</image:title></image:image><lastmod>2023-02-27T19:04:36+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/18/oslo-philharmonic-jukka-pekka-saraste-berlioz-carneval-romain-mendelssohn-bartholdy-violinkonzert-sibelius-sinfonie-nr-1-anne-sophie-mutter/</loc><lastmod>2023-02-27T18:51:05+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/03/08/kritik-berliner-philharmoniker-andris-nelsons-schostakowitsch-sinfonie-nr-6/</loc><lastmod>2023-02-27T18:48:44+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2019/04/19/bka-theater-unerhoerte-musik-mit-fidan-aghayeva-edler/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/04/bildschirmfoto-2019-04-19-um-11.54.01.png</image:loc><image:title>Bildschirmfoto 2019-04-19 um 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Christ</image:title><image:caption>Das DSO bei Ultraschall Berlin: Evan Christ und Mike Svoboda</image:caption></image:image><lastmod>2023-02-27T18:24:33+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2018/03/26/kritik-premiere-falstaff-festtage-staatsoper-berlin/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/03/bildschirmfoto-2018-03-25-um-23-43-24.png</image:loc><image:title>Bildschirmfoto 2018-03-25 um 23.43.24</image:title><image:caption>Foto: Matthias Baus</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/03/bildschirmfoto-2018-03-25-um-23-43-48.png</image:loc><image:title>Staatsoper Berlin Falstaff Michael Volle Daniela Barcellona</image:title><image:caption>Foto: Matthias Baus</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/03/bildschirmfoto-2018-03-25-um-23-44-16.png</image:loc><image:title>Bildschirmfoto 2018-03-25 um 23.44.16</image:title><image:caption>Foto: Matthias Baus</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/03/bildschirmfoto-2018-03-25-um-23-42-26.png</image:loc><image:title>Bildschirmfoto 2018-03-25 um 23.42.26</image:title><image:caption>Foto: Matthias Baus</image:caption></image:image><lastmod>2023-02-27T17:27:13+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2018/12/21/falstaff/</loc><lastmod>2023-02-27T17:26:17+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2020/01/30/falstaff-mit-mehta/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2020/01/bildschirmfoto-2020-01-30-um-18.39.02.png</image:loc><image:title>Bildschirmfoto 2020-01-30 um 18.39.02</image:title></image:image><lastmod>2023-02-27T17:25:31+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2021/01/25/ultraschall-berlin-emre-dundar-stefan-keller-ensemble-experimental-trio-catch/</loc><lastmod>2023-02-27T17:24:00+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2022/12/04/philharmoniker-mit-dvorak-bruno-delepelaire-mit-lalo/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2022/12/img_3966.jpg</image:loc><image:title>img_3966</image:title></image:image><lastmod>2023-02-27T17:21:41+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2019/12/14/die-guggeis-salome/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/12/bildschirmfoto-2019-12-11-um-07.44.54-e1576048377642.png</image:loc><image:title>Bildschirmfoto 2019-12-11 um 07.44.54</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/12/bildschirmfoto-2019-12-11-um-07.46.11-e1576048288818.png</image:loc><image:title>Bildschirmfoto 2019-12-11 um 07.46.11</image:title></image:image><lastmod>2023-02-27T17:20:45+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2020/02/10/kritik-premiere-staatsoper-berlin-rosenkavalier-andre-heller/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2020/02/bildschirmfoto-2020-02-10-um-07.45.26.png</image:loc><image:title>Bildschirmfoto 2020-02-10 um 07.45.26</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2020/02/rosenkavalier-staatsoper-berlin-andrc3a9-heller.png</image:loc><image:title>Rosenkavalier Staatsoper Berlin André Heller</image:title><image:caption>Staatsoper Unter den Linden Rosenkavalier / Foto: Ruth Walz</image:caption></image:image><lastmod>2023-02-27T17:20:04+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/03/25/staatsoper-wien-saison-20132014-anna-netrebko-placido-domingo-jonas-kaufmann-et-al/</loc><lastmod>2023-02-27T16:44:58+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/03/16/deutsche-oper-berlin-saison-20162017-klaus-florian-vogt-evelyn-herlitzius-sonya-yoncheva-ain-anger/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/heidi-stober-oscar-deutsche-oper-berlin-verdi-maskenball.gif</image:loc><image:title>Heidi Stober Oscar Deutsche Oper Berlin Verdi Maskenball</image:title><image:caption>Heidi Stober Oscar Deutsche Oper Berlin Verdi Maskenball</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/jana-kurocovc3a1-deutsche-oper-berlin.gif</image:loc><image:title>Die slowakische Sopranistin Jana Kurucová singt an der Deutschen Oper Berlin Donna Elvira, Romeo, Mercedes, Zerlina, Cherbino, Suzuki / Foto: facebook.com/jana.kurucova?fref=ts</image:title><image:caption>Jana Kurucová Deutsche Oper Berlin</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/sonya-yoncheva-selfie-dezember-2015.gif</image:loc><image:title>Mit Pelzmütze: Sonya Yoncheva Selfie Dezember 2015 in Berlin / Foto: facebook.com/sonya.yoncheva?fref=ts</image:title><image:caption>Sonya Yoncheva Berlin La Traviata Premiere</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/evelyn-herlitzius-deutsche-oper-berlin-elektra.gif</image:loc><image:title>Evelyn Herlitzius: Deutsche Oper Berlin Elektra</image:title><image:caption>Evelyn Herlitzius Deutsche Oper Berlin Elektra</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/olga-peretyatko-staatsoper-berlin-2016-2017-am-klavier.gif</image:loc><image:title>Olga Peretyatko singt an der Deutschen Oper Berlin 2016/2017</image:title><image:caption>Olga Peretyatko Deutsche Oper Berlin 2016 2017</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/deutsche-oper-berlin-saison-2016-20171.gif</image:loc><image:title>Deutsche Oper Berlin Saison 2016 2017</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/deutsche-oper-berlin-saison-2016-2017.gif</image:loc><image:title>Deutsche Oper Berlin Saison 2016 2017</image:title><image:caption>Deutsche Oper Berlin Saison 2016/2017 / Foto: deutscheoperberlin.de</image:caption></image:image><lastmod>2023-02-27T16:43:03+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2021/02/22/berliner-lockdown-fruchtchen-ii-karajan-akademie-unerhorte-musik-dso/</loc><lastmod>2023-02-27T16:40:14+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/12/17/kritik-aida-deutsche-oper-tatiana-serjan-anna-smirnova/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/12/img_8979.jpg</image:loc><image:title>img_8979</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/12/img_8971.jpg</image:loc><image:title>img_8971</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/12/img_8968.jpg</image:loc><image:title>img_8968</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/12/img_8983.jpg</image:loc><image:title>img_8983</image:title></image:image><lastmod>2023-02-27T16:36:33+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2022/02/06/deutsche-oper-aida-konzertant/</loc><lastmod>2023-02-27T16:35:30+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/24/parifal-staatsoper-berlin/</loc><lastmod>2023-02-27T16:34:28+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/19/cosi-fan-tutte-dan-ettinger-doris-dorrie-anna-samuil-daniela-sindram-jeremy-ovenden/</loc><lastmod>2023-02-27T16:33:03+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/21/hilf-verdi/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2011/07/richards.png</image:loc><image:title>Richards</image:title><image:caption>Tenor Andrew Richards in düsterer Umgebung // Foto: k.A. / tenorrichards.com</image:caption></image:image><lastmod>2023-02-27T16:31:55+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2020/01/19/ultraschall-ii-minguet-quartett-golem-mirela-ivicevic/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2020/01/ultraschall-quartett-minguet.jpg</image:loc><image:title>Ultraschall Quartett Minguet</image:title><image:caption>Applaus für Elnaz Seyedi</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2020/01/ultraschall-nemtsov.jpg</image:loc><image:title>Ultraschall Nemtsov</image:title><image:caption>Vier Notenständer, Minguet Quartett, Sarah Nemtsov</image:caption></image:image><lastmod>2023-02-27T16:29:47+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2019/02/03/il-barbiere-di-siviglia/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/02/barbiere-di-siviglia-staatsoper-unter-den-linden-stroppa-ranzani.jpg</image:loc><image:title>Barbiere di Siviglia Staatsoper unter den Linden Stroppa Ranzani</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/02/barbiere.gif</image:loc><image:title>Barbiere</image:title></image:image><lastmod>2023-02-27T16:27:55+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2018/03/23/kritik-wunder-der-heliane-deutsche-oper/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/03/bildschirmfoto-2018-03-23-um-01-48-48.png</image:loc><image:title>Bildschirmfoto 2018-03-23 um 01.48.48</image:title><image:caption>Foto: Monika Rittershaus</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/03/bildschirmfoto-2018-03-23-um-00-49-07.png</image:loc><image:title>Bildschirmfoto 2018-03-23 um 00.49.07</image:title><image:caption>Brian Jagde, Sara Jakubiak, Jochen Wagner / Foto: Monika Rittershaus</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/03/bildschirmfoto-2018-03-23-um-00-45-18.png</image:loc><image:title>Bildschirmfoto 2018-03-23 um 00.45.18</image:title><image:caption>Au Backe! Da hilft jetzt nur noch eine Wiedererweckung von den Toten / Foto: Monika Rittershaus</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/03/bildschirmfoto-2018-03-23-um-00-48-47.png</image:loc><image:title>Bildschirmfoto 2018-03-23 um 00.48.47</image:title><image:caption>Sara Jakubiak in gefährlicher Schräglage / Foto: Monika Rittershaus</image:caption></image:image><lastmod>2023-02-27T16:19:09+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2020/01/26/deutsche-oper-jenufa/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2020/01/bildschirmfoto-2020-01-26-um-11.07.05.png</image:loc><image:title>Bildschirmfoto 2020-01-26 um 11.07.05</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2020/01/bildschirmfoto-2020-01-26-um-11.07.31.png</image:loc><image:title>Bildschirmfoto 2020-01-26 um 11.07.31</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2020/01/bildschirmfoto-2020-01-26-um-11.06.05.png</image:loc><image:title>Bildschirmfoto 2020-01-26 um 11.06.05</image:title></image:image><lastmod>2023-02-27T16:18:05+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2022/03/23/lustvolle-rossini-viaggio-an-der-deutschen-oper/</loc><lastmod>2023-02-27T16:17:17+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/06/24/kritik-hanjo-staatsoper-berlin/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2013/06/1mb9538.jpg</image:loc><image:title>Ingela Bohlin und Ursula Hesse von den Steinen // Foto: Hermann/Clärchen Baus / staatsoper-berlin.de</image:title><image:caption>Ingela Bohlin und Ursula Hesse von den Steinen // Foto: Hermann/Clärchen Baus / staatsoper-berlin.de</image:caption></image:image><lastmod>2023-02-27T16:12:23+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/06/27/kritik-la-juive-premiere-staatsoper-muenchen-roberto-alagna-aleksandra-kurzak-john-osborn-vera-lotte-boecker-ain-anger/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/06/lajuive_bieito-applaus.gif</image:loc><image:title>La Juive Festspiele München 2016: Calixto Bieito / Foto: operlive.de</image:title><image:caption>La Juive Festspiele München Staatsoper 2016  Calixto Bieito </image:caption></image:image><lastmod>2023-02-27T16:11:22+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2020/12/14/lockdown-lohengrin-premiere-an-der-staatsoper-berlin-bieito-alagna-mikneviciute/</loc><lastmod>2023-02-27T16:10:24+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2018/02/02/die-gezeichneten-komische-oper-calixto-bieito-kritik/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/02/die-gezeichneten-komische-oper-berlin-calixto-bieito-2.gif</image:loc><image:title>Die Gezeichneten Komische Oper Berlin Calixto Bieito 2</image:title><image:caption>Schickes Hemd, kleiner Durchgang / Foto: Iko Freese</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/02/die-gezeichneten-komische-oper-berlin-calixto-bieito.gif</image:loc><image:title>Die Gezeichneten Komische Oper Berlin Calixto Bieito</image:title><image:caption>Lustmolche vor Videoprojektion / Foto: Iko Freese</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/02/img_3837-e1517531091117.jpg</image:loc><image:title>Die Gezeichneten Komische Oper Berlin</image:title><image:caption>Pause, Banause.</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/02/img_3855-e1517530999411.jpg</image:loc><image:title>Die Gezeichneten Komische Oper Berlin</image:title><image:caption>Die Gezeichneten Komische Oper Berlin </image:caption></image:image><lastmod>2023-02-27T16:08:43+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/18/berliner-philharmoniker-simon-rattle-schumann-das-paradies-und-die-peri/</loc><lastmod>2023-02-27T16:05:05+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/03/28/rotieren-wie-der-fc-bayern-oder-stiffen-your-back-clench-your-teeth-go-to-dob/</loc><lastmod>2023-02-27T16:04:27+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2015/06/07/simon-rattle-gotterdammerung-wien-staatsoper-2015/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/06/wien-ring-eh4.gif</image:loc><image:title>Evelyn Herlitzius als Brünnhilde</image:title><image:caption>Evelyn Herlitzius als Brünnhilde</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/06/wien-ring-eh7.gif</image:loc><image:title>Evelyn Herlitzius beim Applaus</image:title><image:caption>Evelyn Herlitzius beim Applaus / Quelle: twitter.com</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/06/wien-ring-rheintcher.gif</image:loc><image:title>Rheintöchter:</image:title><image:caption>Rheintöchter: </image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/06/wien-ring-eh1.gif</image:loc><image:title>Evelyn Herlitzius (Brünnhilde), Anne Sofie von Otter (Waltraute), Wien Staatsoper Götterdämmerung 2015</image:title><image:caption>Evelyn Herlitzius (Brünnhilde), Anne Sofie von Otter (Waltraute), Wien Staatsoper Götterdämmerung 2015</image:caption></image:image><lastmod>2023-02-27T16:03:36+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/04/15/deutsche-oper-berlin-20122013-klaus-florian-vogt-parsifal-lohengrin-rattle-ring-des-nibelungen/</loc><lastmod>2023-02-27T15:54:44+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/03/16/semperoper-dresden-saison-20162017-thielemann-rheingold-siegfried-otello/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/semperoper-dresden-spielplan-2016-2017-vorschau-saison.gif</image:loc><image:title>Semperoper Dresden Spielplan 2016 2017 Vorschau Saison</image:title><image:caption>Psychedelisches Polarlicht: Das Design der Dresdner Saisonvorschau / Foto: semperoper.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/semperoper-dresden-spielplan-2016-2017-repertoire.gif</image:loc><image:title>Semperoper Dresden Spielplan 2016 2017 Repertoire</image:title><image:caption>Das Repertoire Semperoper 2016/2017 / Foto: semperoper.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/semperoper-dresden-spielplan-2016-20171.gif</image:loc><image:title>Semperoper Dresden Spielplan 2016 2017</image:title><image:caption>Semperoper Dresden Spielplan 2016/2017 / Foto: semperoper.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/semperoper-dresden-spielplan-2016-2017.gif</image:loc><image:title>Semperoper Dresden Spielplan 2016 2017</image:title></image:image><lastmod>2023-02-27T15:52:45+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/04/05/kritik-lulu-staatsoper-berlin-mojca-erdmann-andrea-berth/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2012/04/lulu_15.jpg</image:loc><image:title>Lulu Staatsoper Berlin</image:title><image:caption>Mojca Erdmann // Foto: Bernd Uhlig / staatsoper-berlin.de</image:caption></image:image><lastmod>2023-02-27T15:49:10+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/10/05/kritik-wozzeck-staatsoper-berlin-barenboim-waltraud-meier-roman-trekel/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2013/10/wozzeck_052.jpg</image:loc><image:title>Roman Trekel // Foto: Monika Rittershaus / staatsoper-berlin.de</image:title><image:caption>Roman Trekel // Foto: Monika Rittershaus / staatsoper-berlin.de</image:caption></image:image><lastmod>2023-02-27T15:47:32+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2022/02/21/staatsoper-tosca-saioa-hernandez/</loc><lastmod>2023-02-27T15:42:35+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/05/26/kritik-tosca-staatsoper-berlin-alvis-hermanis-fabio-sartori-anja-kampe-george-gagnidze/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/05/tosca-puccini-anja-kampe-cavaradossi-fabio-sartori-staatsoper-berlin-domingo-hindoyan-schillertheater.jpg</image:loc><image:title>Tosca Puccini Anja Kampe Cavaradossi Fabio Sartori Staatsoper Berlin Domingo Hindoyan Schillertheater</image:title><image:caption>Mario! Mario! Mario! Fabio Sartori und Anja Kampe singen um ihr Leben</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/05/img_6733.jpg</image:loc><image:title>IMG_6733</image:title><image:caption>Tosca im Schillertheater / Foto: Anton Schlatz</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/05/tosca-klein.gif</image:loc><image:title>Tosca klein</image:title><image:caption>Tosca im Schillertheater / Foto: Anton Schlatz</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/05/img_6705.jpg</image:loc><image:title>IMG_6705</image:title></image:image><lastmod>2023-02-27T15:41:52+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/08/06/kritik-liebe-der-danae-salzburger-festspiele-alvis-hermanis/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/08/die_liebe_der_danae_2016_tomasz_konieczny_ensemble_c_sf_forster.jpg</image:loc><image:title>Die_Liebe_der_Danae_2016_Tomasz_Konieczny_Ensemble_c_SF_Forster</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/08/die_liebe_der_danae_2016_ensemble_c_sf_monika_forster.jpg</image:loc><image:title>Die_Liebe_der_Danae_2016_Ensemble_c_SF_Monika_Forster</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/08/die_liebe_der_danae_2016_krassimira_stoyanova_c_sf_forster.jpg</image:loc><image:title>Die_Liebe_der_Danae_2016_Krassimira_Stoyanova_c_SF_Forster</image:title><image:caption>Liebe der Danae Salzburger Festspiele: Krassimira Stoyanova / Foto: Forster / salzburgerfestspiele.at</image:caption></image:image><lastmod>2023-02-27T15:40:44+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/12/08/inaugurazione-madama-butterfly-scala-2016-alvis-hermanis-riccardo-chailly/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/12/teatro-alla-scala-madama-butterfly-maria-josc3a9-siri-bryan-hymel.gif</image:loc><image:title>teatro-alla-scala-madama-butterfly-maria-jose-siri-bryan-hymel</image:title><image:caption>Maria José Siri und Bryan Hymel: So sieht Singen im 21. Jahrhundert aus / Foto: arte.tv </image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/12/teatro-alla-scala-madama-butterfly-inaugurazione-chor.gif</image:loc><image:title>teatro-alla-scala-madama-butterfly-inaugurazione-chor</image:title><image:caption>Ballett alla giapponese: Alvis Hermanis inszeniert an der Scala / </image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/12/teatro-alla-scala-madama-butterfly-inaugurazione-2016-arte-maria-josc3a9-siri.gif</image:loc><image:title>teatro-alla-scala-madama-butterfly-inaugurazione-2016-arte-maria-jose-siri</image:title><image:caption>Maria José Siri mit Kopfschmuck / Foto: arte.tv</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/12/teatro-alla-scala-madama-butterfly-maria-josc3a9-siri-bryan-hymel-duett-atto-i.gif</image:loc><image:title>teatro-alla-scala-madama-butterfly-maria-jose-siri-bryan-hymel-duett-atto-i</image:title><image:caption>Mondscheinduett: Maria José Siri und Bryan Hymel lassen es krachen / Foto: arte.tv</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/12/teatro-alla-scala-madama-butterfly-inaugurazione-2016.gif</image:loc><image:title>teatro-alla-scala-madama-butterfly-inaugurazione-2016</image:title><image:caption>Lang lebe der Kimono: Alvis Hermanis inszeniert Madama Butterfly / Foto: arte.tv</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/12/teatro-alla-scala-madama-butterfly-inaugurazione-2016-maria-josc3a9-siri.gif</image:loc><image:title>teatro-alla-scala-madama-butterfly-inaugurazione-2016-maria-jose-siri</image:title><image:caption>Krischblüten: Maria José Siri / Foto: arte.tv </image:caption></image:image><lastmod>2023-02-27T15:39:22+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2020/09/24/musikfest-doppelfinale-mit-milica-djordjevic-saunders-poppe-rihm/</loc><lastmod>2023-02-27T15:16:43+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/24/wie-singt-klaus-florian-vogt/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2011/07/lohengrin20_foto_karl-forster_hf.jpg</image:loc><image:title>KONICA MINOLTA DIGITAL CAMERA</image:title><image:caption>"Hat da jemand was gegen meinen Helm gesagt?" Klaus Florian Vogt als Lohengrin // Foto: Karl Forster / staatsoper-berlin.de</image:caption></image:image><lastmod>2023-02-27T15:13:03+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/08/03/kritik-salzburg-meistersinger-daniele-gatti-michael-volle-hans-sachs-anna-gabler-roberto-sacca-markus-werba/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2013/08/hires-meistersinger_25.jpg</image:loc><image:title>Sachs am Boden, von Beckmesser attackiert // Foto: Forster / salzburgerfestspiele.at</image:title><image:caption>Sachs am Boden, von Beckmesser attackiert // Foto: Forster / salzburgerfestspiele.at</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2013/08/hires-meistersinger_19.jpg</image:loc><image:title>Anna Gabler im Brautornat // Foto: Forster/ salzburgerfestspiele.at</image:title><image:caption>Anna Gabler im Brautornat // Foto: Forster/ salzburgerfestspiele.at</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2013/08/hires-meistersinger_14.jpg</image:loc><image:title>Meistersinger Salzburg</image:title><image:caption>Meistersinger Salzburg</image:caption></image:image><lastmod>2023-02-27T15:12:22+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2015/12/17/kritik-berliner-philharmoniker-rattle-pelleas-et-melisande-peter-sellars/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/12/pellc3a9as-et-mc3a9lisande-berliner-philharmoniker-simon-rattle-peter-sellars.gif</image:loc><image:title>Pelléas et Mélisande Berliner Philharmoniker Simon Rattle Peter Sellars</image:title><image:caption>Pelléas et Mélisande Berliner Philharmoniker Simon Rattle Peter Sellars / Foto: Monika Rittershaus / berliner-philharmoniker.de</image:caption></image:image><lastmod>2023-02-27T15:03:36+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2019/09/02/musikfest-mit-jurowski-rsb-frau-ohne-schatten/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/09/bildschirmfoto-2019-09-02-um-08.01.21.png</image:loc><image:title>Bildschirmfoto 2019-09-02 um 08.01.21</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/09/bildschirmfoto-2019-09-02-um-08.00.22-1.png</image:loc><image:title>Bildschirmfoto 2019-09-02 um 08.00.22</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/09/bildschirmfoto-2019-09-02-um-08.00.22.png</image:loc><image:title>Bildschirmfoto 2019-09-02 um 08.00.22</image:title></image:image><lastmod>2023-02-27T14:39:30+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2023/01/15/zuruck-zur-welle-detlev-glanerts-oceane-zum-letzten-mal/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2023/01/bildschirmfoto-2023-01-14-um-16.47.36.png</image:loc><image:title>bildschirmfoto-2023-01-14-um-16.47.36</image:title></image:image><lastmod>2023-02-27T14:35:59+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2022/07/11/berliner-volltreffer-turandot-mit-pankratova/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2022/07/bildschirmfoto-2022-07-11-um-08.04.13.png</image:loc><image:title>bildschirmfoto-2022-07-11-um-08.04.13</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2022/07/bildschirmfoto-2022-07-11-um-07.49.37-2.png</image:loc><image:title>bildschirmfoto-2022-07-11-um-07.49.37-2</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2022/07/bildschirmfoto-2022-07-11-um-07.49.37-1.png</image:loc><image:title>bildschirmfoto-2022-07-11-um-07.49.37-1</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2022/07/bildschirmfoto-2022-07-11-um-07.49.37.png</image:loc><image:title>bildschirmfoto-2022-07-11-um-07.49.37</image:title></image:image><lastmod>2023-02-26T09:29:21+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2022/06/19/staatsoper-berlin-premiere-turandot-stolzl-mehta/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2022/06/bildschirmfoto-2022-06-18-um-11.15.28-1.png</image:loc><image:title>bildschirmfoto-2022-06-18-um-11.15.28-1</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2022/06/turandot-stoelzl-3.gif</image:loc><image:title>turandot-stoelzl-3</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2022/06/turandot-stoelzl-2.gif</image:loc><image:title>turandot-stoelzl-2</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2022/06/turandot-stoelzl-1.gif</image:loc><image:title>turandot-stoelzl-1</image:title></image:image><lastmod>2023-02-26T09:28:45+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2022/05/22/nie-sollst-du-lohengrin-klaus-florian-vogt/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2022/05/bildschirmfoto-2022-05-22-um-03.25.11.png</image:loc><image:title>bildschirmfoto-2022-05-22-um-03.25.11</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2022/05/bildschirmfoto-2022-05-22-um-03.24.50.png</image:loc><image:title>bildschirmfoto-2022-05-22-um-03.24.50</image:title></image:image><lastmod>2023-02-26T09:26:42+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2022/10/03/staatsoper-berlin-rheingold-tcherniakov/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2022/10/rheingold-staatsoper-berlin-2.gif</image:loc><image:title>rheingold-staatsoper-berlin-2</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2022/10/rheingold-staatsoper-berlin.gif</image:loc><image:title>rheingold-staatsoper-berlin</image:title></image:image><lastmod>2023-02-26T09:25:53+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2018/01/21/kritik-ultraschall-berlin-ensemble-nikel-und-caleb-salgado-im-radialsystem-v/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/01/img_34811-e1516501612229.jpg</image:loc><image:title>Caleb Salgado Ultraschall Berlin Lachenmann Ferneyhough Billone</image:title><image:caption>Bassist Caleb Salgado und Komponist Pierluigi Billone</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/01/img_3481.jpg</image:loc><image:title>IMG_3481</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/01/img_3476-e1516500236386.jpg</image:loc><image:title>Caleb Salgado Ultraschall Berlin 2018</image:title><image:caption>Kontrabassist Caleb Salgado nach getaner Arbeit</image:caption></image:image><lastmod>2023-02-26T09:20:29+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2018/01/21/kritik-ultraschall-berlin-ensemble-ascolta-und-hand-werk-spielen-bertelsmeier-holz-poppe-frank-van-eck-u-a/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/01/img_3608-e1516530023224.jpg</image:loc><image:title>hand werk Ultraschall Berlin 2018 Radialsystem V</image:title><image:caption>Fünf Handwerker: Applaus nach getaner Arbeit</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/01/img_3578-e1516529598420.jpg</image:loc><image:title>Ultraschall Berlin 2018 Neue-Musik-Ensemble hand werk beim Applaus</image:title><image:caption>Frickeln bis der Arzt kommt: 3 Performer und 1 Komponist</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/01/img_3517-e1516523476730.jpg</image:loc><image:title>Ultraschall Berlin 2018</image:title><image:caption>Porträt der Musiker mit Großer Trommel: </image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/01/img_3595-e1516523235857.jpg</image:loc><image:title>Ultraschall Berlin hand werk</image:title><image:caption>hand werk im harten Einsatz</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/01/img_3553-e1516522984882.jpg</image:loc><image:title>hand werk Ultraschall Berlin 2018</image:title><image:caption>Harte Handarbeit beim Paneel-Ballett</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/01/img_3543-e1516522841245.jpg</image:loc><image:title>hand werk Ultraschall Berlin 2018 Radialsystem V</image:title><image:caption>Die Frickler von hand werk bei Ultraschall Berlin 2018</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/01/img_3592-e1516503529751.jpg</image:loc><image:title>hand werk Radialsystem Ultraschall Berlin 2018</image:title><image:caption>Hier sind hand werk intensiv am Arbeiten</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/01/img_3498-e1516497242858.jpg</image:loc><image:title>Eres Holz und Markus Schwind Ultraschall Berlin 2018</image:title><image:caption>Eres Holz und Markus Schwind nach getaner Arbeit</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/01/img_3488-e1516497164594.jpg</image:loc><image:title>Birke Jasmin Bertelsmeier Ultraschall Berlin 2018 Ensemble ascolta</image:title><image:caption>Birke Jasmin Bertelsmeier und Ensemble ascolta applaudieren sich gegenseitig</image:caption></image:image><lastmod>2023-02-26T09:19:43+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2019/01/17/ultraschall-seither-boesmans-wozny/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/01/dso-ultraschall-berlin-2019-joanna-wozny-e1547686716629.jpg</image:loc><image:title>dso ultraschall berlin 2019 joanna wozny</image:title></image:image><lastmod>2023-02-26T09:17:57+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2019/01/20/ultraschall-boulanger-trio-zafraan-ensemble-neue-vocalsolisten-ensemble-adapter/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/01/ultraschall-zafraan-ensemble-laure-leander.jpg</image:loc><image:title>ultraschall zafraan ensemble laure 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20.32.23</image:title></image:image><lastmod>2022-12-08T13:31:24+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/18/4/</loc><lastmod>2022-12-08T13:29:32+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/18/staatskapelle-berlin-daniel-barenboim-schonberg-lieder-op-8-bruckner-sinfonie-nr-4-deborah-polaski/</loc><lastmod>2022-12-08T13:28:15+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/21/simon-rattle-live-in-reinkultur/</loc><lastmod>2022-12-08T13:24:30+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/21/michael-gielen-serviert-thielemann-ganz-locker-ab/</loc><lastmod>2022-12-08T13:23:43+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/21/christian-thielemanns-bruckner/</loc><lastmod>2022-12-08T13:22:55+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/22/haitinks-bruckner/</loc><lastmod>2022-12-08T13:22:04+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/22/staatskapelle-berlin-bruckner-sinfonie-nr-7-mit-barenboim-und-kammerloher-singt-schonberg/</loc><lastmod>2022-12-08T13:21:26+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/22/daniel-hardings-bruckner/</loc><lastmod>2022-12-08T13:20:39+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/25/bruckner-sinfonie-nr-8/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2011/07/bruckner02_foto_monika-rittershaus.jpg</image:loc><image:title>KONICA MINOLTA DIGITAL 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</image:caption></image:image><lastmod>2022-12-08T13:03:47+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/09/09/kritik-konzerthausorchester-berlin-ivan-fischer-henze-il-vitalino-raddopiato-bruckner-7/</loc><lastmod>2022-12-08T13:02:40+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/12/11/thielemann-berliner-philharmoniker-gidon-kremer-in-tempus-praesens-bruckner-messe-f-moll/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/12/berliner-philharmoniker-christian-thielemann.gif</image:loc><image:title>berliner-philharmoniker-christian-thielemann</image:title><image:caption>Die Geste des Imperators: Christian Thielemann / Foto: 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08.41.20</image:title></image:image><lastmod>2022-12-08T12:45:06+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2019/12/10/jurowski-rsb-haydn-bruckner-3-sinfonie/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/12/bildschirmfoto-2019-12-10-um-08.10.48.png</image:loc><image:title>Bildschirmfoto 2019-12-10 um 08.10.48</image:title></image:image><lastmod>2022-12-08T12:43:41+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2019/12/16/ticciati-und-dso-mit-bruckner-und-carter/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/12/bildschirmfoto-2019-12-16-um-13.49.17.png</image:loc><image:title>Bildschirmfoto 2019-12-16 um 13.49.17</image:title></image:image><lastmod>2022-12-08T12:42:17+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2019/05/31/premiere-deutsche-oper-don-quichotte/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/05/bildschirmfoto-2019-05-31-um-07.04.24.png</image:loc><image:title>Bildschirmfoto 2019-05-31 um 07.04.24</image:title></image:image><lastmod>2022-12-07T23:48:55+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/24/brahms-vierte-mit-barenboim-und-andere-nebensachlichkeiten/</loc><lastmod>2022-12-06T17:13:35+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/25/concertgebouworkest-amsterdam-beatrix-inklusive/</loc><lastmod>2022-12-06T17:12:24+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/09/13/christian-thielemann-ersauft-brahms/</loc><lastmod>2022-12-06T17:10:01+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/03/07/barenboim-brahms-klavierkonzert-radu-lupu-berg-lulu-suite-rinnat-moriah-und-strauss/</loc><lastmod>2022-12-06T17:07:58+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/07/05/review-barenboim-anne-sophie-mutter-brahms-violinkonzert-sinfonie-4/</loc><lastmod>2025-02-07T14:53:22+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/08/25/kritik-berliner-philharmonikerrattle-brahms-2-klavierkonzert-bronfman-lutoslawski-3-sinfonie/</loc><lastmod>2022-12-06T17:05:52+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/03/12/staatskapelle-berlin-brahms-violinkonzert-lisa-batiashvili-les-preludes-berg-3-orchesterstucke/</loc><lastmod>2022-12-06T17:04:44+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/05/11/kritik-berliner-philharmoniker-jaap-van-zweden-brahms-1-bela-bartok-konzert-fur-orchester/</loc><lastmod>2022-12-06T17:03:27+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/12/24/kritik-rsb-janowski-schumann-3-brahms-1-klavierkonzert-anna-vinnitskaja/</loc><lastmod>2022-12-06T17:02:36+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2014/01/15/rsb-marek-janowski-kritik-brahms-1-sinfonie-berg-violinkonzert-gil-shaham/</loc><lastmod>2022-12-06T17:01:44+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2014/02/21/kritik-berliner-philharmoniker-rattle-brahms-3-sinfonie-haas-dark-dreams-debussy-la-mer/</loc><lastmod>2022-12-06T17:00:53+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2014/05/11/kritik-berliner-philharmoniker-myung-whun-chung-unsuk-chin-cellokonzert-alban-gerhardt-brahms-2-sinfonie/</loc><lastmod>2022-12-06T16:58:35+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2014/09/03/kritik-staatskapelle-berlin-dudamel-barenboim-brahms-klavierkonzerte-nr-1-2/</loc><lastmod>2022-12-06T16:57:37+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2014/09/20/kritik-simon-rattle-schumann-brahms-zyklus-sinfonien-nr-1/</loc><lastmod>2022-12-06T16:56:15+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2014/09/27/kritik-berliner-philharmoniker-rattle-brahms-schumann-zyklus-sinfonien-nr-4/</loc><lastmod>2022-12-06T16:55:36+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/11/05/rattle-berliner-philharmoniker-brahms-berg-schoenberg-webern/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/11/img_8804.jpg</image:loc><image:title>img_8804</image:title><image:caption>80 Musiker und ein weißer Schopf: Simon Rattle und das Bad in der Menge</image:caption></image:image><lastmod>2022-12-06T16:54:39+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/10/08/wiener-philharmoniker-und-mehta-in-der-staatsoper-brahms-haydn-bartok/</loc><lastmod>2022-12-06T16:52:36+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2018/05/28/lutorattle-zelebriert-brahmslawski/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/05/img_0559-e1527487797361.jpg</image:loc><image:title>Simon Rattle Berliner Philharmoniker Brahms Lutosławski Sinfonie 3</image:title></image:image><lastmod>2022-12-06T16:51:05+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2018/12/11/brahms/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/12/img_3859_klein-e1544491618184.jpg</image:loc><image:title>IMG_3859_klein</image:title></image:image><lastmod>2022-12-06T16:50:05+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2018/12/22/wiener-philharmoniker-berlin-welser-moest-und-brahms/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/12/IMG_3946-klein-e1545467703972.jpg</image:loc><image:title>IMG_3946 klein</image:title><image:caption>...hier nach der Pause. </image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/12/IMG_3943-klein.jpg</image:loc><image:title>IMG_3943 klein</image:title><image:caption>Blumen für die Wiener Philharmoniker, hier vor der Pause...</image:caption></image:image><lastmod>2022-12-06T16:49:05+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2019/01/23/brahms-sinfonie-3-4/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/01/barenboim-staatskapelle-brahms-staatsoper-e1548118500222.jpg</image:loc><image:title>barenboim staatskapelle brahms staatsoper</image:title></image:image><lastmod>2022-12-06T16:47:31+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2019/02/24/dso-ticciati-brahms-perspektiven/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/02/dso-ticciati-brahms-sinfonie-4-e1550968665775.jpg</image:loc><image:title>DSO Ticciati Brahms Sinfonie 4</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/02/dso-aribert-reimann-fragments-de-rilke.jpg</image:loc><image:title>DSO Aribert Reimann Fragments de Rilke</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/02/dso-ticciati-wagner-wesendonck-rc3b6schmann.jpg</image:loc><image:title>DSO Ticciati Wagner Wesendonck Röschmann</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/02/dso-ticciati-wagner-wesendonck-rc3b6schmann.gif</image:loc><image:title>DSO Ticciati Wagner Wesendonck Röschmann</image:title></image:image><lastmod>2022-12-06T16:45:08+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2022/01/29/petrenko-zimmermann-lutoslawski-brahms/</loc><lastmod>2022-12-06T16:42:16+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2022/02/13/berliner-petrenko-brahms-schiff-suk/</loc><lastmod>2022-12-06T16:41:17+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2018/11/03/cendrillon/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/11/cendrillon-komische-oper-2018.gif</image:loc><image:title>Cendrillon Komische Oper 2018</image:title></image:image><lastmod>2022-12-06T16:38:48+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/04/08/kritik-met-anna-netrebko-manon-piotr-beczala-des-grieux/</loc><lastmod>2022-12-06T16:37:07+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2022/04/14/renee-fleming-in-der-staatsoper-mit-faure-grieg-korngold-strauss/</loc><lastmod>2022-12-06T16:32:40+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/02/15/kritik-berliner-philharmoniker-elgar-enigma-variations-dvorak-debussy-schonberg/</loc><lastmod>2022-12-04T00:17:25+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/06/09/kritik-berliner-philharmoniker-mariss-jansons-dvorak-9-sinfonie-martinu-violinkonzert-zimmermann/</loc><lastmod>2022-12-04T00:15:27+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/02/08/kritik-manfred-honeck-anne-sophie-mutter-dvorak-romanze-violinkonzert-lutoslawski-konzert-fur-orchester/</loc><lastmod>2022-12-04T00:12:59+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/03/25/kritik-staatskapelle-berlin-barenboim-yo-yo-ma-dvorak-elgar-2/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/festtage-2016-elgar-sinfonie-nr-2-staatskapelle-berlin-barenboim-yo-yo-ma2.gif</image:loc><image:title>Festtage 2016 Elgar Sinfonie Nr. 2 Staatskapelle Berlin Barenboim Yo-Yo Ma2</image:title><image:caption>Yo-Yo Ma hält nichts 8-Stunden-Tagen / Foto: twitter.com/StaatsoperBLN</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/festtage-2016-elgar-sinfonie-nr-2-staatskapelle-berlin-barenboim-yo-yo-ma.gif</image:loc><image:title>Festtage 2016 Elgar Sinfonie Nr. 2 Staatskapelle Berlin Barenboim Yo-Yo Ma</image:title><image:caption>Yo-Yo Ma </image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/yo-yo-ma-staatskapelle-berlin-festtage-barenboim-dvorak-cellokonzert.gif</image:loc><image:title>Yo-Yo Ma Staatskapelle Berlin Festtage Barenboim Dvorak Cellokonzert</image:title><image:caption>Oberkörper zurückgelehnt, entspannte Armhaltung, wild konzentrierter Ausdruck: Yo-Yo Ma bei der Zugabe / Foto: 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Camilla Nylund ist Salome // Foto: Mara Eggert / staatsoper-berlin.de</image:title><image:caption>"Mann, kann der mal aufhören, mit dem bescheuerten Obst rumzuwedeln?" 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Mayer / Foto: Monika Rittershaus</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/03/salome-staatsoper-berlin-stundyte-siegel-prudenskaya-finaleszene-neuenfels-2018.gif</image:loc><image:title>Salome Staatsoper Berlin Stundyte Siegel Prudenskaya Finaleszene Neuenfels 2018</image:title><image:caption>Arme Salome: Oscar Wilde (im Hintergrund) als Zeremonienmeister des Todes / Foto: Monika 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Werner</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/02/vilde-frang-violinkonzert-korngold1.gif</image:loc><image:title>Vilde Frang Violinkonzert Korngold</image:title><image:caption>Vilde Frang / Foto: vildefrang.com / Sussie Ahlburg</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/02/vilde-frang-violinkonzert-korngold.gif</image:loc><image:title>Vilde Frang Violinkonzert Korngold</image:title><image:caption>Vi</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/02/dso-berlin-vilde-frang-korngold-violinkonzert.gif</image:loc><image:title>DSO Berlin Vilde Frang Korngold Violinkonzert</image:title><image:caption>Ludovic Morlot war zufrieden mit Vilde Frang / Foto: twitter.com/LudovicMorlot</image:caption></image:image><lastmod>2022-09-08T12:02:23+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2019/06/30/schager-kampe-pape-daniel-barenboim/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/06/tristan-und-isolde-staatsoper-berlin-schager-kampe-barenboim-2_3.jpg</image:loc><image:title>Tristan und Isolde Staatsoper Berlin Schager Kampe Barenboim 2_3</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/06/tristan-und-isolde-staatsoper-berlin-schager-kampe-2_3.jpg</image:loc><image:title>Tristan und Isolde Staatsoper Berlin Schager Kampe 2_3</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/06/img_6647-e1561497208642.jpg</image:loc><image:title>IMG_6647</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/06/img_6617.jpg</image:loc><image:title>IMG_6617</image:title></image:image><lastmod>2022-09-08T11:55:47+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/21/barenboims-tristan/</loc><lastmod>2022-09-08T11:53:14+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/21/waltraud-meier-und-die-deutsche-sprache/</loc><lastmod>2022-09-08T11:52:03+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/03/28/kritik-rsb-tristan-marek-janowski-nina-stemme-isolde-stephen-gould-tristan-michelle-breedt-brangane/</loc><lastmod>2022-09-08T11:51:19+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/08/06/kritik-bayreuth-tristan-peter-schneider-robert-dean-smith-tristan-irene-theorin-isolde/</loc><lastmod>2022-09-08T11:50:41+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2018/02/12/kritik-premiere-tristan-isolde-staatsoper-berlin-tscherniakow-barenboim-schager-kampe/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/02/tristan-und-isolde-berlin-staatsoper-2018-1-akt-klein.jpg</image:loc><image:title>Tristan und Isolde Berlin Staatsoper Unter den Linden 2018 1. Akt</image:title><image:caption>Kurs auf Cornwall / Foto: Monika Rittershaus</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/02/tristan-und-isolde-berlin-staatsoper-2018-2-akt-stephen-milling-andreas-schager-anja-kampe.jpg</image:loc><image:title>Tristan und Isolde Berlin Staatsoper 2018 2. Akt Stephen Milling Andreas Schager Anja Kampe</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/02/tristan-und-isolde-berlin-staatsoper-2018_klein.jpg</image:loc><image:title>Tristan und Isolde Berlin Staatsoper 2018 Andreas Schager Boaz Daniel</image:title><image:caption>Andreas Schager in Schieflage / Foto: Monika Rittershaus</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/02/tristan-und-isolde-berlin-staatsoper-2018-2-akt-andreas-schager-anja-kampe-klein.jpg</image:loc><image:title>Tristan und Isolde Berlin Staatsoper 2018 2. Akt Andreas Schager Anja Kampe</image:title><image:caption>Intensives Tête à tête im Salon / Foto: Monika Rittershaus</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/02/tristan-und-isolde-berlin-staatsoper-2018-1-akt-schager-kampe-klein.jpg</image:loc><image:title>Tristan und Isolde Berlin Staatsoper 2018 1. Akt Schager Kampe</image:title><image:caption>Andreas Schager und Anja Kampe / Foto: Monica Rittershaus</image:caption></image:image><lastmod>2022-09-08T11:49:29+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/18/tristan-und-isolde-daniel-barenboim-harry-kupfer-deborah-polaski-robert-gambill/</loc><lastmod>2022-09-08T11:47:59+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/18/tristan-und-isolde-daniel-barenboim-harry-kupfer-deborah-polaski-robert-gambill-gerd-grochowski/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2011/07/daniel-barenboim_foto_chris-lee.jpg</image:loc><image:title>KONICA MINOLTA DIGITAL CAMERA</image:title><image:caption>Wagnerwunder Barenboim in Aktion / Foto: Chris Lee / Quelle: staatsoper-berlin.de</image:caption></image:image><lastmod>2022-09-08T11:46:38+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/24/tristan-und-isolde-berlin-staatsoper/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2011/07/tristan_03_monika-rittershaus_hf.jpg</image:loc><image:title>KONICA MINOLTA DIGITAL CAMERA</image:title><image:caption>Mit Waltraud Meier sterben heißt schöner sterben // Foto: Monika Rittershaus / staatsoper-berlin.de</image:caption></image:image><lastmod>2022-09-08T11:45:08+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/24/tristan-und-isolde-staatsoper-berlin/</loc><lastmod>2022-09-08T11:43:42+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/24/tristan-und-isolde-waltraud-meier-peter-seiffert/</loc><lastmod>2022-09-08T11:42:44+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2015/07/26/kritik-tristan-und-isolde-bayreuth-2015-thielemann-herlitzius-gould/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/07/tristan-bayreuth-2015-9.gif</image:loc><image:title>Tristan Bayreuth 2015 9</image:title><image:caption>Also, Buhs für Herlitzius und Thielemann.</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/07/tristan-bayreuth-2015-2.gif</image:loc><image:title>Tristan Bayreuth 2015 2</image:title><image:caption>Evelyn Herlitzius</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/07/tristan-bayreuth-2015-7.gif</image:loc><image:title>Tristan Bayreuth 2015 7</image:title><image:caption>Gott bewahre</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/07/tristan-bayreuth-2015-8.gif</image:loc><image:title>Tristan Bayreuth 2015 8</image:title><image:caption>Harter Probenalltag bei den Bayreuther Festspielen. Schottischer Kurwenal Iain Peterson braucht bayerischen Kaffee</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/07/tristan-bayreuth-2015-5.gif</image:loc><image:title>Tristan Bayreuth 2015 5</image:title><image:caption>Bayreuth 2015: Merkel ist angekommen</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/07/tristan-bayreuth-2015-4.gif</image:loc><image:title>Tristan Bayreuth 2015 4</image:title><image:caption>Evelyn Herlitzius legt los</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/07/tristan-bayreuth-2015-1.gif</image:loc><image:title>Tristan Bayreuth 2015 1</image:title><image:caption>Bayreuth Tristan 2015: Ursprüngliche Geometrie</image:caption></image:image><lastmod>2022-09-08T11:41:27+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/04/01/kritiken-tristan-und-isolde-rattle-skelton-westbroek-sarah-connolly-stephen-milling-nagy/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/04/img_6020.jpg</image:loc><image:title>IMG_6020</image:title><image:caption>Tristan und Isolde: Schlussapplaus</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/04/img_6029.jpg</image:loc><image:title>IMG_6029</image:title><image:caption>Après Tristan: Michael Nagy, Simon Rattle, Sarah Connolly, Eva-Maria Westbroek, Stuart Skelton</image:caption></image:image><lastmod>2022-09-08T11:40:30+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/07/27/kritik-tristan-und-isolde-2017-bayreuth-gould-lang-pape-mayer-paterson/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/tristan-bayreuth-petra-lang-christa-mayer.gif</image:loc><image:title>Tristan Bayreuth Petra Lang Christa Mayer</image:title><image:caption>Christa Mayer und Petra Lang / Foto: Enrico Nawrath / facebook.com</image:caption></image:image><lastmod>2022-09-08T11:39:51+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2019/06/16/staatsoper-tristan-und-isolde/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/06/bildschirmfoto-2019-06-16-um-08.49.53-e1560667854853.png</image:loc><image:title>Bildschirmfoto 2019-06-16 um 08.49.53</image:title></image:image><lastmod>2022-09-08T11:39:12+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2019/12/03/kritik-tristan-und-isolde-deutsche-oper-berlin/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/12/bildschirmfoto-2019-12-02-um-22.39.08.png</image:loc><image:title>Bildschirmfoto 2019-12-02 um 22.39.08</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/12/bildschirmfoto-2019-12-02-um-22.39.18.png</image:loc><image:title>Bildschirmfoto 2019-12-02 um 22.39.18</image:title></image:image><lastmod>2022-09-08T11:38:37+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2019/04/22/meisterostersonntagssinger/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/04/meistersinger-staatsoper-berlin.gif</image:loc><image:title>Meistersinger Staatsoper Berlin</image:title></image:image><lastmod>2022-09-08T11:37:12+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/09/01/festtage-berlin-staatsoper-meistersinger-mit-daniel-barenboim-dorothea-roschmann-roman-trekel-rene-pape-burkhard-fritz-james-morris/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2011/09/meistersinger_01.png</image:loc><image:title>Meistersinger_01</image:title><image:caption>Dorothea Röschmann: blaue Stunde in der Staatsoper // Foto: Monika Rittershaus / staatsoper-berlin.de</image:caption></image:image><lastmod>2022-09-08T11:35:18+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/09/01/blech-dorothea-roschmann-und-wagner-in-der-staatsoper-berlin/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2011/09/6917984efb.jpg</image:loc><image:title>6917984efb</image:title><image:caption> // Foto: Monika Rittershaus / staatsoper-berlin.de</image:caption></image:image><lastmod>2022-09-08T11:34:23+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2015/10/04/kritik-meistersinger-premiere-staatsoper-berlin-andrea-moses-daniel-barenboim/</loc><lastmod>2022-09-08T11:32:40+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/05/17/kritik-meistersinger-premiere-muenchen-jonas-kaufmann-sara-jakubiak-wolfgang-koch-david-boesch/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/05/meistersinger-eva-sara-jakubiak-mc3bcnchen-oper-2016.gif</image:loc><image:title>Meistersinger Eva Sara Jakubiak München Oper 2016</image:title><image:caption>Sara Jakubiak</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/05/meistersinger-neu-jonas-kaufmann-wagnerbc3bcste-mc3bcnchen-oper-2016.gif</image:loc><image:title>Meistersinger Neu Jonas Kaufmann Wagnerbüste München Oper 2016</image:title><image:caption>Meistersinger neben Zukunftsmusiker </image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/05/meistersinger-neu-jonas-kaufmann-sara-jakubiak-wolfgang-koch-2-mc3bcnchen-oper-2016.gif</image:loc><image:title>Meistersinger Neu Jonas Kaufmann Sara Jakubiak Wolfgang Koch 2 München Oper 2016</image:title><image:caption>Spaß beim Gottesdienst: Sara Jakubiak nimmt Kurs auf Jonas Kaufmann</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/05/meistersinger-neu-markus-eiche-beckmesser-wolfgang-koch-hans-sachs-mc3bcnchen-oper-2016.gif</image:loc><image:title>Meistersinger Neu Markus Eiche Beckmesser Wolfgang Koch Hans Sachs München Oper 2016</image:title><image:caption>Da fehlt der Flow: Beckmesser Markus Eiche</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/05/meistersinger-neu-jonas-kaufmann-sara-jakubiak-wolfgang-koch-mc3bcnchen-oper-2016.gif</image:loc><image:title>Meistersinger Neu Jonas Kaufmann Sara Jakubiak Wolfgang Koch München Oper 2016</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/05/meistersinger-neu-premiere-bayerische-staatsoper-mc3bcnchen-premiere-jonas-kaufmann-sara-jakubiak.gif</image:loc><image:title>Meistersinger Neu Premiere Bayerische Staatsoper München Premiere Jonas Kaufmann Sara Jakubiak</image:title><image:caption>Meistersinger Neu Premiere Bayerische Staatsoper München Premiere Jonas Kaufmann Sara Jakubiak</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/05/meistersinger-neu-premiere-bayerische-staatsoper-mc3bcnchen-applaus.gif</image:loc><image:title>Meistersinger Neu Premiere Bayerische Staatsoper München Applaus</image:title><image:caption>Applaus, Applaus / Foto: twitter.com/bay_staatsoper</image:caption></image:image><lastmod>2022-09-08T11:32:00+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2019/04/17/festtage-staatsoper-meistersinger-vogt-kleiter-koch/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/04/a-meistersinger-staatsoper-berlin-festtage-2019-orchesterpulte.jpg</image:loc><image:title>A Meistersinger Staatsoper Berlin Festtage 2019 Orchesterpulte</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/04/a-meistersinger-staatsoper-berlin-festtage-2019-e1555489402540.jpg</image:loc><image:title>A Meistersinger Staatsoper Berlin Festtage 2019</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/04/a-meistersinger-staatsoper-berlin-festtage-2019-applaus-e1555489420887.jpg</image:loc><image:title>A Meistersinger Staatsoper Berlin Festtage 2019 Applaus</image:title></image:image><lastmod>2022-09-08T11:30:44+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2014/04/13/kritik-premiere-staatsoper-berlin-tannhauser-sasha-waltz-barenboim-marina-prudenskaya-venus-ann-petersen-peter-seiffert/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2014/04/tannhc3a4user_061.jpg</image:loc><image:title>Marina Prudenskaya im Auge der Venus // Foto: Bernd Uhlig / staatsoper-berlin.de</image:title><image:caption>Marina Prudenskaya im Auge der Venus // Foto: Bernd Uhlig / staatsoper-berlin.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2014/04/tannhc3a4user_06.jpg</image:loc><image:title> // Foto: Bernd Uhlig / stat</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2014/04/tannhc3a4user_11.jpg</image:loc><image:title>Da rennt sie! Marina Prudenskaya (Venus) im astreinen Greek-Style // Foto: Bernd Uhlig / staatsoper-berlin.de</image:title><image:caption>Da rennt sie! Marina Prudenskaya (Venus) im astreinen Greek-Style // Foto: Bernd Uhlig / staatsoper-berlin.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2014/04/tannhc3a4user_73.jpg</image:loc><image:title>"Obacht! Das Auge der Venus blickt auf dich." Sasha Waltz' Tannhäuser in Berlin // Foto: Bernd Uhlig / staatsoper-berlin.de</image:title><image:caption>"Obacht! Das Auge der Venus blickt auf dich." Sasha Waltz' Tannhäuser in Berlin // Foto: Bernd Uhlig / staatsoper-berlin.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2014/04/tannhc3a4user_64.jpg</image:loc><image:title>Peter Seiffert ist Tannhäuser // Foto: Bernd  Uhlig / staatsoper-berlin.de</image:title><image:caption>Peter Seiffert ist Tannhäuser // Foto: Bernd  Uhlig / staatsoper-berlin.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2014/04/tannhc3a4user_821.jpg</image:loc><image:title>Tannhäuser_82</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2014/04/tannhc3a4user_82.jpg</image:loc><image:title>Ann Petersen ist Elisabeth // Foto: Bernd Uhlig / staatsoper-berlin.de</image:title><image:caption>Ann Petersen ist Elisabeth // Foto: Bernd Uhlig / staatsoper-berlin.de</image:caption></image:image><lastmod>2022-09-08T11:28:55+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/01/28/kritik-tannhaeuser-deutsche-oper-berlin-2016/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/01/img_9319.jpg</image:loc><image:title>img_9319</image:title><image:caption>So herrlich bunt ist Thüringen: Die teure Halle ist voll belegt</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/01/img_9344.jpg</image:loc><image:title>img_9344</image:title><image:caption>Schöne neue Tannhäuser-Welt: Der Himmel hängt voll Rüstungen, auf der Bühne stauen sich die Bettlägrigen</image:caption></image:image><lastmod>2022-09-08T11:27:53+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/02/27/kritik-tannhaeuser-staatsoper-berlin-2017-anne-schwanewilms-burkhard-fritz-rene-pape-wolfgang-koch/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/02/tannhc3a4user_staatsoperberlin_marinaprudenskaya.jpg</image:loc><image:title>tannhauser_staatsoperberlin_marinaprudenskaya</image:title><image:caption>Im Auge der erotischen Hurrikans: Venus Marina Prudenskaya / Foto: Bernd Uhlig / staatsoper-berlin.de</image:caption></image:image><lastmod>2022-09-08T11:26:50+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/03/18/berliner-tannhaeuser-peter-seiffert-ain-anger-ricarda-merbeth/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/03/img_9733.jpg</image:loc><image:title>Landgraf Ain Anger führt die Ritterschaft an die Rampe</image:title><image:caption>Landgraf Ain Anger führt die Ritterschaft an die Rampe</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/03/img_9732.jpg</image:loc><image:title>IMG_9732</image:title><image:caption>Thüringische Hofgesellschaft unter Alurittern</image:caption></image:image><lastmod>2022-09-08T11:26:03+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/07/11/kritik-tannhaeuser-muenchen-romeo-castellucci-anja-harteros-vogt-gerhaher/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/tannhc3a4user_bayerischestaatsoper_anjaharteros_siehtmichdiejungfrau-e1499700377295.png</image:loc><image:title>Anja Harteros_Elisabeth_Tannhäuser_Bayerische Staatsoper München</image:title><image:caption>"Seht mich, die Jungfrau": Anja Harteros mit Pfeil / Foto: arte.tv</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/tannhc3a4user_bayerischestaatsoper_petrenko_finale_akt1.gif</image:loc><image:title>Tannhäuser_Bayerische Staatsoper_Petrenko_Finale_Akt1</image:title><image:caption>"Er kehrt zurück, den wir verloren" Klaus Florian Vogt mit Sängern und Landgraf / Foto: arte.tv</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/tannhc3a4user_bayerischestaatsoper_anjaharteros6_akt2.gif</image:loc><image:title>Tannhäuser_BayerischeStaatsoper_AnjaHarteros_Akt2</image:title><image:caption>Mit Nacktschürze: Anja Harteros / Foto: arte.tv</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/tannhc3a4user_bayerischestaatsoper_anjaharteros_applaus.gif</image:loc><image:title>Tannhäuser_BayerischeStaatsoper_AnjaHarteros_Applaus</image:title><image:caption>Applaus für Elisabeth Anja Harteros / Foto: arte.tv</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/tannhc3a4user_bayerischestaatsoper_sc3a4ngerwettkampf2.gif</image:loc><image:title>Tannhäuser_BayerischeStaatsoper_Sängerwettkampf2</image:title><image:caption>Georg Zeppenfeld mit Amazone / Foto: arte.tv</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/tannhc3a4user_bayerischestaatsoper_anjaharteros3_akt2.gif</image:loc><image:title>Tannhäuser_Bayerische Staatsoper_Anja Harteros_Akt2</image:title><image:caption>"Gebt Gehör der reinen Jungfrau Wort": Anja Harteros singt Elisabeth / Foto: arte.tv</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/tannhc3a4user_bayerischestaatsoper_klausflorianvogt_akt2.gif</image:loc><image:title>Tannhäuser_BayerischeStaatsoper_KlausFlorianVogt_Akt2</image:title><image:caption>Schweißperlen für den Büßer: Klaus Florian Vogt als Tannhäuser / Foto: arte.tv</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/tannhc3a4user_bayerischestaatsoper_sc3a4ngerwettkampf3.gif</image:loc><image:title>Tannhäuser_BayerischeStaatsoper_Sängerwettkampf3</image:title><image:caption>Es lebe die Gardine!: Die Sänger liegen schon / Foto: arte.tv</image:caption></image:image><lastmod>2022-09-08T11:25:28+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2019/05/06/wagner-woche-tannhaeuser/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/05/img_5906-1.jpg</image:loc><image:title>IMG_5906</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/05/img_5906-e1557163269339.jpg</image:loc><image:title>IMG_5906</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2019/05/img_5912_klein-e1557122407742.jpg</image:loc><image:title>IMG_5912_klein</image:title></image:image><lastmod>2022-09-08T11:24:40+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/24/der-berliner-lohengrin-anna-samuil-mit-kupfersopran-kwangchoul-youn-kantabel/</loc><lastmod>2022-09-08T11:22:13+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/04/19/dob-lohengrin-klaus-florian-vogt-is-nich/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2012/04/ec_85cfc013e8a4e1c8895c4f71cb18db52.jpg</image:loc><image:title>ec_85cfc013e8a4e1c8895c4f71cb18db52</image:title><image:caption>Bild mit zwei Flügeln: Ricarda Merbeht, Klaus Florian Vogt // Foto: Marcus Lieberenz / deutscheoperberlin.de</image:caption></image:image><lastmod>2022-09-08T11:21:23+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/08/08/kritik-bayreuth-lohengrin-nelsons-klaus-florian-vogt-annette-dasch-elsa/</loc><lastmod>2022-09-08T11:20:39+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/11/28/mein-lieber-schwan-scala-lohengrin-ohne-schwan-aber-mit-jonas-kaufmann/</loc><lastmod>2022-09-08T11:19:47+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/12/08/kritik-la-scala-lohengrin-jonas-kaufmann-annette-dasch-rene-pape-barenboim/</loc><lastmod>2022-09-08T11:19:13+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/12/17/kritik-lohengrin-deutsche-oper-berlin/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/12/img_8875.jpg</image:loc><image:title>img_8875</image:title><image:caption>Einmal knicksen bitte! Herzogstochter Annette Dasch</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/12/img_8880.jpg</image:loc><image:title>img_8880</image:title><image:caption>Schwanenritter Peter Seiffert</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/12/img_8873.jpg</image:loc><image:title>img_8873</image:title></image:image><lastmod>2022-09-08T11:18:28+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/02/03/kritik-lohengrin-deutsche-oper-2017-runnicles-klaus-florian-vogt-manuela-uhl-elena-pankratova/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/02/img_9377.jpg</image:loc><image:title>img_9377</image:title><image:caption>Edelknaben und Chor</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/02/img_9381.jpg</image:loc><image:title>img_9381</image:title><image:caption>Dong-Hwan Lee, Sung Ha, Manuela Uhl, Klaus Florian Vogt, Elena Pankratova, John Lundgren</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/02/img_9355.jpg</image:loc><image:title>img_9355</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/02/img_9387.jpg</image:loc><image:title>img_9387</image:title><image:caption>Klaus Florian Vogt als Lohengrin</image:caption></image:image><lastmod>2022-09-08T11:16:24+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2018/10/29/deutsche-oper-lohengrin/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/10/lohengrin-2018-deutsche-oper.gif</image:loc><image:title>Lohengrin 2018 Deutsche Oper</image:title></image:image><lastmod>2022-09-08T11:15:39+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2022/05/06/calixto-bieto-lohengrin-staatsoper-berlin/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2022/05/bildschirmfoto-2022-05-06-um-11.09.53.png</image:loc><image:title>bildschirmfoto-2022-05-06-um-11.09.53</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2022/05/bildschirmfoto-2022-05-06-um-11.09.35.png</image:loc><image:title>bildschirmfoto-2022-05-06-um-11.09.35</image:title></image:image><lastmod>2022-09-08T11:12:26+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/07/25/kritik-fliegender-hollander-bayreuth-thielemann-samuel-youn-adrianne-pieczonka-franz-josef-selig/</loc><lastmod>2022-09-08T11:09:54+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/07/27/kritk-bayreuther-festspiele-rheingold-2013-premiere-claudia-mahnke-martin-winkler/</loc><lastmod>2022-09-08T11:08:54+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/07/27/kritik-walkure-bayreuth-2013-anja-kampe-franz-josef-selig-johan-botha/</loc><lastmod>2022-09-08T11:07:49+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/07/31/kritik-gotterdammerung-bayreuth-2013/</loc><lastmod>2022-09-08T11:06:56+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2015/08/09/kritik-walkuere-bayreuth-2015/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/08/catherine-foster-bayreuth-brc3bcnnhilde2.gif</image:loc><image:title>Catherine Foster Bayreuth Brünnhilde2</image:title><image:caption>Na, ich weiß nicht / Quelle: twitter.com</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/08/catherine-foster-bayreuth-brc3bcnnhilde.gif</image:loc><image:title>Catherine Foster Bayreuth Brünnhilde</image:title><image:caption>Wirklich? / Quelle: twiter.com</image:caption></image:image><lastmod>2022-09-08T11:04:42+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2015/08/11/kritik-siegfried-bayreuth-2015/</loc><lastmod>2022-09-08T11:03:50+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2015/08/15/kritik-goetterdaemmerung-bayreuth-2015-catherine-foster-bruennhilde-stefan-vinke-siegfried/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/08/gc3b6tterdc3a4mmerung-patterson-im-graben-2.gif</image:loc><image:title>Götterdämmerung Patterson im Graben 2</image:title><image:caption>Holy shit. Der Typ hat das Zeug zum Kritiker / Quelle: twitter.com</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/08/gc3b6tterdc3a4mmerung-kirill-petrenko.gif</image:loc><image:title>Götterdämmerung Kirill Petrenko</image:title><image:caption>Volltreffer! Ich bin offernsichtlich nicht der einzige, der Kirill Petrenko NICHT in den Himmel lobt / Quelle: twitter.com</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/08/gc3b6tterdc3a4mmerung-gewitter.gif</image:loc><image:title>Götterdämmerung Gewitter</image:title><image:caption>Gewitter über Bayreuth / Quelle: twitter.com</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/08/gc3b6tterdc3a4mmerung-patterson-im-graben.gif</image:loc><image:title>Götterdämmerung Patterson im Graben</image:title><image:caption>Iain Patterson sitzt im Graben. Deswegen / Quelle: twitter.com</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/08/gc3b6tterdc3a4mmerung-julia-rutigliano.gif</image:loc><image:title>Götterdämmerung Rheintöchter Julia Rutigliano</image:title><image:caption>Bayreuth Götterdämmerung: die vereinten Rheintöchter Julia Rutigliano, Anna Lapkovskaja, Mirella Hagen / Quelle: twitter.com</image:caption></image:image><lastmod>2022-09-08T11:02:52+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/07/01/bayreuther-festspiele-nelsons-sagt-noe-zu-parsifal/</loc><lastmod>2022-09-08T11:01:19+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/07/26/kritik-parsifal-premiere-bayreuth-laufenberg-haenchen-klaus-florian-vogt-pankratova-zeppenfeld-mckinny/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/07/bayreuth-2016-parsifal-richard-wagner-ende-3-akt.gif</image:loc><image:title>Bayreuth 2016 Parsifal Richard Wagner Ende 3. Akt</image:title><image:caption>Aus is': Die letzte Szene des 3. Aktes / Foto: br-klassik.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/07/bayreuth-2016-parsifal-alexandra-steiner-knappe.gif</image:loc><image:title>Bayreuth 2016 Parsifal Alexandra Steiner Knappe</image:title><image:caption>Parsifal Bayreuth: Knappe Alexandra Steiner / Foto: br-klassik.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/07/bayreuth-2016-parsifal-knappen-ritter-akt-1.gif</image:loc><image:title>Bayreuth 2016 Parsifal Knappen Ritter Akt 1</image:title><image:caption>Mareike Morr, Timo Riihonen, Charles Kim, Stefan Heibach / Foto: br-klassik.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/07/bayreuth-2016-parsifal-amfortas-kinley-1-akt-3.gif</image:loc><image:title>Bayreuth 2016 Parsifal Amfortas Kinley 1. Akt 3</image:title><image:caption>Jesus in Windeln: Ryan McKinny als Amfortas / Foto: br-klassik.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/07/bayreuth-2016-parsifal-kundry-elena-pankratova-georg-zeppenfeld-gurnemanz.gif</image:loc><image:title>Bayreuth 2016 Parsifal Kundry Elena Pankratova Georg Zeppenfeld Gurnemanz</image:title><image:caption>Bayreuther Parsifal 2016: Georg Zeppenfeld und Elena Pankratova / Foto: br-Klassik.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/07/bayreuth-2016-parsifal-amfortas-kinley-georg-zeppenfeld-gurnemanz.gif</image:loc><image:title>Bayreuth 2016 Parsifal Amfortas Kinley Georg Zeppenfeld Gurnemanz</image:title><image:caption>Gurnemanz Georg Zeppenfeld und Amfortas Ryan McKinny / Foto: br-Klassik.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/07/bayreuth-2016-parsifal-amfortas-kinley-1-akt-5.gif</image:loc><image:title>Bayreuth 2016 Parsifal Amfortas Kinley 1. Akt 5</image:title><image:caption>Zum Altar wird hier die Badewanne: Ryan McKinny als Amfortas / Foto: br-Klassik.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/07/bayreuth-2016-parsifal-klaus-florian-vogt-akt-1.gif</image:loc><image:title>Bayreuth 2016 Parsifal Klaus Florian Vogt Akt 1</image:title><image:caption>Klaus Florian Vogt singt Parsifal / Foto: br-Klassik.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/07/hartmut-hc3a4nchen-beifall-bayreuth-parsifal-premiere.gif</image:loc><image:title>Hartmut Hänchen Beifall Bayreuth Parsifal Premiere</image:title><image:caption>Hartmut Haenchen dirigiert Parsifal: Schlussapplaus in Bayreuth / Foto: br-Klassik.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/07/bayreuth-2016-parsifal-klaus-florian-vogt-und-blumenmc3a4dchen-akt-2-4.gif</image:loc><image:title>Bayreuth 2016 Parsifal Klaus Florian Vogt und Blumenmädchen Akt 2 4</image:title><image:caption>Parsifal-Premiere Bayreuth: Uwe Eric Laufenburg</image:caption></image:image><lastmod>2022-09-08T11:00:41+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/07/27/kritik-rheingold-bayreuth-2016/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/07/rheingold-die-rheintc3b6chter-albericht.gif</image:loc><image:title>Rheingold Die Rheintöchter Albericht</image:title></image:image><lastmod>2022-09-08T10:59:23+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/07/31/kritik-bayreuth-fliegender-hollaender-2016/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/07/bayreuth-2016-fliegender-hollc3a4nder-ricarda-merbeth.jpg</image:loc><image:title>Bayreuth 2016 Fliegender Holländer Ricarda Merbeth</image:title></image:image><lastmod>2022-09-08T10:58:31+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/08/08/kritik-walkuere-bayreuth-2016-marek-janowski/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/08/bayreuth-2016-walkc3bcre-castorf-janowski.gif</image:loc><image:title>Bayreuth 2016 Walküre Castorf Janowski</image:title><image:caption>Castorfs Die Walküre in Bayreuth 2016 / Foto: Enrico Nawrath</image:caption></image:image><lastmod>2022-09-08T10:57:45+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/08/14/kritik-goetterdaemmerung-2016-bayreuth-marek-janowski/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/08/gc3b6tterdc3a4mmerung-bayreuth-2016-castorf-janowski.jpg</image:loc><image:title>Götterdämmerung Bayreuth 2016 Castorf Janowski</image:title><image:caption>Bayreuth 2016: Frank Castorfs Götterdämmerung / Foto: Enrico Narwath</image:caption></image:image><lastmod>2022-09-08T10:55:03+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/07/26/kritik-bayreuth-meistersinger-premiere-barrie-kosky-michael-volle/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/meistersinger-bayreuth-akt-3-festwiese-schluss-2-e1501031383787.png</image:loc><image:title>Meistersinger Bayreuth Akt 3 Festwiese Schluss 2</image:title><image:caption>Hans Sachs dirigiert das deutsche Orchester an sich / Foto: BR-Klassik</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/meistersinger-bayreuth-akt-3-schwanewilms-selig-wie-die-sonne-e1501031274271.png</image:loc><image:title>Meistersinger Bayreuth Akt 3 Schwanewilms Selig wie die Sonne</image:title><image:caption>Im Mieder vor Alliierten-Flaggen: Evchen singt / Foto: BR-Klassik</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/meistersinger-bayreuth-akt-3-vorspiel-michael-volle-e1501031202321.png</image:loc><image:title>Meistersinger Bayreuth Akt 3 Vorspiel Michael Volle</image:title><image:caption>Grübel-Pose: Michael Volle als Hans Sachs / Foto: BR-Klassik</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/meistersinger-bayreuth-akt-3-festwiese-e1501031129531.png</image:loc><image:title>Meistersinger Bayreuth Akt 3 Festwiese</image:title><image:caption>Festwiese im Gerichtssaal / Foto: BR-Klassik</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/meistersinger-bayreuth-akt-1-veit-pogner-arie-e1501031069853.png</image:loc><image:title>Meistersinger Bayreuth Akt 1 Veit Pogner Arie</image:title><image:caption>Cosima und Pogner / 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Klassik</image:caption></image:image><lastmod>2022-09-08T10:54:08+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/07/31/kritik-rheingold-bayreuth-2017-marek-janowski/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/rheingold-alberich-die-nibelungen.gif</image:loc><image:title>Rheingold Alberich Die Nibelungen</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/rheingold-die-rheintc3b6chter-mirella-hagen-julia-rutigliano-okka-von-der-damerau.gif</image:loc><image:title>Rheingold Die Rheintöchter Mirella Hagen Julia Rutigliano Okka von der Damerau</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/rheintc3b6chter2-e1501456222857.png</image:loc><image:title>Rheintöchter2</image:title></image:image><lastmod>2022-09-08T10:52:43+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2018/07/26/der-e-lohengrin-bayreuth-premiere-mit-thielemann-sharon-beczala-harteros/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/07/bayreuth-2018-lohengrin-waltraud-meier.gif</image:loc><image:title>Bayreuth 2018 Lohengrin Waltraud Meier</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/07/bayreuth-2018-lohengrin-thielemann.gif</image:loc><image:title>Bayreuth 2018 Lohengrin Bühnenbild Neo Rauch</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/07/bayreuth-2018-lohengrin-brautgemachszene-beczala-harteros.gif</image:loc><image:title>Bayreuth 2018 Lohengrin Brautgemachszene Beczala Harteros</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/07/bayreuth-2018-lohengrin-zeppenfeld.gif</image:loc><image:title>Bayreuth 2018 Lohengrin Zeppenfeld</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/07/bayreuth-2018-lohengrin-3-akt.gif</image:loc><image:title>Bayreuth 2018 Lohengrin 3. Akt</image:title></image:image><lastmod>2022-09-08T10:51:53+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2018/07/31/der-neu-alte-bayreuther-fliegende-hollaender-mit-greer-grimsley/</loc><lastmod>2022-09-08T10:50:31+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2018/08/01/domingos-bayreuther-walkuere/</loc><lastmod>2022-09-08T10:49:31+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2015/07/28/kritik-rheingold-bayreuth-ring-des-nibelungen-2015/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/07/rheingold-die-rheintc3b6chter-mirella-hagen-julia-rutigliano-okka-von-der-damerau.gif</image:loc><image:title>Rheingold Die Rheintöchter Mirella Hagen Julia Rutigliano Okka von der Damerau</image:title><image:caption>Mirella Hagen, Julia Rutigliano, Okka von der Damerau / Foto: Enrico Nawrath / Bayreuther Festspiele</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/07/rheingold-john-daszak.gif</image:loc><image:title>Rheingold John Daszak</image:title><image:caption>Rheingold John Daszak / Quelle: twitter.com</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/07/rheingold-besetzung.gif</image:loc><image:title>Rheingold 2015 Bayreuth Besetzung</image:title><image:caption>Dramatis Personae</image:caption></image:image><lastmod>2022-09-08T10:46:37+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/04/16/deutsche-oper-berlin-20132014-simon-rattle-ring-des-nibelungen/</loc><lastmod>2022-09-08T10:43:58+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/05/21/kritik-walkure-philharmoniker-rattle-evelyn-herlitzius-eva-maria-westbroek-mikhail-petrenko/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2012/05/brc3bcnnhilde_sr_sepia_kleiner2.jpg</image:loc><image:title>Simon Rattle beim Fotoshooting nach der abschließenden Probe zur Walküre</image:title><image:caption>Simon Rattle beim Fotoshooting nach der abschließenden Probe zur Walküre</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2012/05/lillipask.jpg</image:loc><image:title>Fricka oder Rheintochter? 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Na, ganz so sah Lilli Paasikivi in der Berliner Philharmonie nicht aus / Foto: Kira Gluschkoff / lillipaasikivi.com</image:caption></image:image><lastmod>2022-09-08T10:42:57+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/09/15/kritik-simon-rattle-porgy-and-bess-berlin-willard-white-latonia-moore-howard-haskin-lester-lynch/</loc><lastmod>2022-09-08T10:42:13+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/10/05/kritik-walkure-staatsoper-berlin-catherine-foster-brunnhilde/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2012/10/ec_03aca42167e84c01e62851b9373761cb.jpg</image:loc><image:title>René Pape Wotan Staatsoper Berlin</image:title><image:caption>René Pape, umgeben von attraktiven Mädels // Foto: Monika Rittershaus / .staatsoper-berlin.de</image:caption></image:image><lastmod>2022-09-08T10:41:45+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/10/07/kritik-staatsoper-berlin-siegfried-peter-bronder-mime-lance-ryan-siegfried/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2012/10/siegfried-anna-larsson.jpg</image:loc><image:title>Siegfried Anna Larsson</image:title><image:caption>Anna Larsson ist Erda // Foto: Monika Rittershaus / staatsoper-berlin.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2012/10/siegfried_029-1.jpg</image:loc><image:title>Siegfried Staatsoper Berlin</image:title><image:caption>Juha Uusitalo wandert // Foto: Monika Rittershaus / staatsoper-berlin.de</image:caption></image:image><lastmod>2022-09-08T10:40:52+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/10/17/staatsoper-berlin-walkure-peter-seiffert-siegmund-mikhail-petrenko-hunding/</loc><lastmod>2022-09-08T10:39:39+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/03/04/premiere-gotterdammerung-staatsoper-berlin-ian-storey-siegfried-irene-theorin-brunnhilde/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2013/03/goetterdaemmerung_136.jpg</image:loc><image:title>Götterdämmerung Premiere Staatsoper Berlin</image:title><image:caption>Iréne Theorin und Marina Prudenskaja beim Pläuschchen // Foto: Monika Rittershaus / staatsoper-berlin.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2013/03/goetterdaemmerung_2041.jpg</image:loc><image:title>Götterdämmerung Premiere Staatsoper Berlin 2013</image:title><image:caption>Immer dieses Rumgezicke! Brünnhilde und Waltraute // Foto: Monika Rittershaus / staatsoper-berlin.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2013/03/goetterdaemmerung_204.jpg</image:loc><image:title>Premiere Götterdämmerung Staatsoper Berlin</image:title><image:caption>Hagen bezirzt Gutrune // Foto: Monika Rittershaus / staatsoper-berlin.de</image:caption></image:image><lastmod>2022-09-08T10:38:56+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/04/06/barenboim-walkure-staatsoper-berlin/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2013/04/233_img_1256ekaterina-gubanova-fricka.jpg</image:loc><image:title>Fricka Ekaterina Gubanova: Sieht so eine zufrieden germanische Hausfrau aus? // Foto: Monika Rittershaus / staatsoper-berlin.de</image:title><image:caption>Fricka Ekaterina Gubanova: Sieht so eine zufrieden germanische Hausfrau aus? // Foto: Monika Rittershaus / staatsoper-berlin.de</image:caption></image:image><lastmod>2022-09-08T10:37:46+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/09/23/kritik-walkure-rattle-deutsche-oper-berlin-evelyn-herlitzius-thomas-johannes-mayer/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2013/09/rattle-walkc3bcre.jpg</image:loc><image:title>Simon Rattle Walküre Berlin 2013</image:title><image:caption>"You know, that's what they wear now on Oxford Street. And what's best, Magdalena is crazy about it." Simon Rattle als überzeugter Wagnerianer.</image:caption></image:image><lastmod>2022-09-08T10:36:59+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/12/21/kritik-rattle-walkuere-berliner-philharmoniker-eva-maria-westbroek-simon-oneill-tomlinson/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/12/img_9021.jpg</image:loc><image:title>img_9021</image:title><image:caption>Blumen für Hagen, Dirgenten, Sieglinde und Siegmund</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/12/img_9006.jpg</image:loc><image:title>img_9006</image:title><image:caption>John Tomlinson, Eva-Maria Westbroek, Simon 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2019</image:title></image:image><lastmod>2019-07-29T11:34:15+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/12/26/haensel-und-gretel-staatsoper-berlin-achim-freyer/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/12/hc3a4nselundgretel-staatsoper-berlin-achim-freyer-31-e1514284070947.png</image:loc><image:title>Hänsel und Gretel Staatsoper Berlin Unter den Linden</image:title><image:caption>Knallbuntes Handwerkerproletariat: Vater Besenbinder und Mutter Rotschopf / Foto: Monika Rittershaus / staatsoper-berlin.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/12/hc3a4nselundgretel-staatsoper-berlin-achim-freyer-7.jpg</image:loc><image:title>Hänsel und Gretel Berlin Achim Freyer</image:title><image:caption>Brüderchen, komm tanz mit mir: Natalia Skrycka und Evelin Novak schwingen 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Klavierkonzert / Foto: twitter.com</image:caption></image:image><lastmod>2019-04-08T09:20:01+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/04/23/kritik-berliner-philharmoniker-tugan-sokhiev-ravel-klavierkonzert-g-dur-jean-yves-thibaudet/</loc><lastmod>2019-04-08T09:19:45+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/06/18/rattle-betsy-jolas-percy-grainger-in-a-nutshell-debussy-varese-kritik-berliner-philharmoniker/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/06/berliner-philharmoniker-simon-rattle-debussy-varc3a8se-betsy-jolas-emanuel-ax-percy-grainger.gif</image:loc><image:title>Simon Rattle leitet die Berliner Philharmoniker: Claude Debussy Edgar Varèse Betsy Jolas Percy Grainger</image:title><image:caption>Berliner Philharmoniker Simon Rattle Debussy Varèse Betsy Jolas Emanuel Ax Percy Grainger</image:caption></image:image><lastmod>2019-04-08T09:17:03+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/06/23/kritik-berliner-philharmoniker-nezet-seguin-lisa-batiashvili-bartok-schostakowitsch-sinfonie-nr-13/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/06/yannick-nc3a9zet-sc3a9guin-lisa-batiashvili-berliner-philharmoniker-2.gif</image:loc><image:title>Yannick Nézet-Séguin Lisa Batiashvili Berliner Philharmoniker 2</image:title><image:caption>Lisa Batiashvili Geige, Yannick Nézet-Séguin Dirigierstab: Wenn das der Jogi wüsste / Foto: twitter.com/nezetseguin/</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/06/yannick-nc3a9zet-sc3a9guin-lisa-batiashvili-berliner-philharmoniker.gif</image:loc><image:title>Yannick Nézet-Séguin Lisa Batiashvili Berliner Philharmoniker</image:title><image:caption>Yannick Nézet-Séguin Lisa Batiashvili  / Foto: twitter.com/nezetseguin</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/06/img_7127.jpg</image:loc><image:title>Nézet-Séguin Berliner Philharmoniker Schostakowitsch Sinfonie Nr. 13</image:title><image:caption>Nézet-Séguin dirigiert die Berliner Philharmoniker</image:caption></image:image><lastmod>2019-04-08T09:16:27+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/09/11/kritik-andris-nelsons-berliner-philharmoniker-varese-arcana-symphonie-fantastique/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/09/musikfest-berlin-2016-berliner-philharmoniker-andris-nelsons.gif</image:loc><image:title>musikfest-berlin-2016-berliner-philharmoniker-andris-nelsons</image:title><image:caption>Musikfest Berlin 2016</image:caption></image:image><lastmod>2019-04-08T09:15:41+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/09/16/kritik-john-adams-berliner-philharmoniker-harmonielehre-scheherazade-2-leila-josefowicz/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/09/musikfest-berlin-2016-berliner-philharmoniker-john-adams-scheherazade-2-harmonielehre.gif</image:loc><image:title>musikfest-berlin-2016-berliner-philharmoniker-john-adams-scheherazade-2-harmonielehre</image:title><image:caption>John Adams Berliner Philharmoniker / Foto: berlinerfestspiele.de</image:caption></image:image><lastmod>2019-04-08T09:15:22+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/12/03/kritik-berliner-philharmoniker-alan-gilbert-frank-peter-zimmermann/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/12/img_8837.jpg</image:loc><image:title>img_8837</image:title><image:caption>Der Ort des Geschehens nach dem Geschehen</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/12/john-adams-noah-bendix-bagley-berliner-philharmoniker.gif</image:loc><image:title>john-adams-noah-bendix-bagley-berliner-philharmoniker</image:title><image:caption>John Adams von vorne, Noah Bendix-Balgley von hinten / Foto: facebook.com/BerlinPhil/</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/12/john-adams-berliner-philharmoniker.gif</image:loc><image:title>john-adams-berliner-philharmoniker</image:title><image:caption>John Adams ist Composer in Residence bei den Berliner Philharmonikern</image:caption></image:image><lastmod>2019-04-08T09:14:22+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/03/19/late-night-rattle-magdalena-kozena-ravel-berio-sequenza-iii-laborintus-ii/</loc><lastmod>2019-04-08T09:12:37+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/04/14/kritik-berliner-philharmoniker-baden-baden-rattle-batiashvili-dvorak-bartok/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/04/lisabatiashvili_berlinerphilharmoniker_bb_170414_2.gif</image:loc><image:title>Lisa Batiashvili Berliner Philharmoniker Baden-Baden Simon Rattle / Foto: digitalconcerthall.com</image:title><image:caption>Lisa Batiashvili spielt mit den Berliner Philharmonikern unter Simon Rattle / Foto: digitalconcerthall.com</image:caption></image:image><lastmod>2019-04-08T09:11:51+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/06/10/kritik-berliner-philharmoniker-dudamel-john-adams-city-noir-dvorak-sinfonie-9/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/06/john-adams-composer-berlin-philharmonic.gif</image:loc><image:title>John Adams Composer Berlin Philharmonic</image:title><image:caption>John Adams Composer Berlin Philharmonic / Foto: Margaretta Mitchell</image:caption></image:image><lastmod>2019-04-08T09:09:11+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2018/01/12/kritik-berliner-philharmoniker-pappano-veronique-gens-duparc-ravel-mussorgski-skrjabin/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/01/antonio-pappano-berliner-philharmoniker-vc3a9ronique-gens.gif</image:loc><image:title>Antonio Pappano Berliner Philharmoniker Véronique Gens</image:title></image:image><lastmod>2019-04-08T09:08:24+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/01/04/anna-netrebko-heiratet-yusif-eyvazov/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/anna-netrebko-heirat-20152.gif</image:loc><image:title>Anna Netrebko Heirat 2015</image:title><image:caption>Anna Netrebko ist fest in aserbeidschanischen Händen / Foto: twitter.com/RusBotWien</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/anna-netrebko-heirat-20151.gif</image:loc><image:title>Anna Netrebko Heirat 2015</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/anna-netrebko-heirat-2015.gif</image:loc><image:title>Anna Netrebko Heirat 2015</image:title><image:caption>Anna Netrebko ist fest in aserbeidschanischen Händen / Foto: twitter.com/RusBotWien</image:caption></image:image><lastmod>2019-04-02T19:17:30+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/02/01/kritik-south-pole-muenchen-staatsoper/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/02/south-pole-bayerische-staatsoper-mc3bcnchen-amundsen.gif</image:loc><image:title>South Pole Bayerische Staatsoper München Amundsen</image:title><image:caption>Was sagt seine Frau zu dieser Passform?: Thomas Hampson im chicen Polarkostüm / Foto: twitter.com</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/02/south-pole-bayerische-staatsoper-mc3bcnchen-applaus2.gif</image:loc><image:title>South Pole Bayerische Staatsoper München Applaus2</image:title><image:caption>Miroslav Srnka lässt sich von Rolándo Villazón bejubeln / Foto: twitter.com</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/02/south-pole-bayerische-staatsoper-mc3bcnchen-applaus.gif</image:loc><image:title>South Pole Bayerische Staatsoper München Applaus</image:title><image:caption>Bayerische Staatsoper München: Schlussapplaus bei der Polaroper Southpole / Foto: facebook.com</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/02/south-pole-bayerische-staatsoper-mc3bcnchen-karikatur-villazon.gif</image:loc><image:title>South Pole Bayerische Staatsoper München Karikatur Villazon</image:title><image:caption>Rolándo Villazón zur Uraufführung Southpole / Foto: facebook.com</image:caption></image:image><lastmod>2019-04-02T19:17:16+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/07/02/kritik-schreker-die-gezeichneten-premiere-staatsoper-muenchen/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/diegezeichneten_schreker_bayerischestaatsoper_carlotta_alviano_akt2.gif</image:loc><image:title>DieGezeichneten_Schreker_BayerischeStaatsoper_Carlotta_Alviano_Akt2</image:title><image:caption>Liebesduett mit Gruselfaktor: John Daszak und Catherin Naglestad / Foto: operlive.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/diegezeichneten_schreker_bayerischestaatsoper_carlotta_alviano_akt2_grusel.gif</image:loc><image:title>DieGezeichneten_Schreker_BayerischeStaatsoper_Carlotta_Alviano_Akt2_Grusel</image:title><image:caption>Die Gezeichneten von Franz Schreker in der Inszenierung von Krzysztof Warlikowski / Foto: operlive.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/diegezeichneten_schreker_bayerischestaatsoper_capitaneo_ginevra_akt3.gif</image:loc><image:title>DieGezeichneten_Schreker_BayerischeStaatsoper_Capitaneo_Ginevra_Akt3</image:title><image:caption>Gruppenbild mit Dame und Maus / Foto: operlive.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/diegezeichneten_schreker_bayerischestaatsoper_alviano_schlussszene_akt3.gif</image:loc><image:title>DieGezeichneten_Schreker_BayerischeStaatsoper_Alviano_Schlussszene_Akt3</image:title><image:caption>Aus die Maus: Tamare am Boden, Carlotta in der Vitrine / Foto: operlive.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/07/diegezeichneten_schreker_bayerischestaatsoper_carlotta_alviano_akt2_2.gif</image:loc><image:title>DieGezeichneten_Schreker_BayerischeStaatsoper_Carlotta_Alviano_Akt2_2</image:title><image:caption>Die Gezeichneten: / Foto: operlive.de</image:caption></image:image><lastmod>2019-04-02T19:15:17+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/01/11/rheingold-staatsoper-wien-2016-adam-fischer-kritik/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/zoryana-kushpler-rheingold-wien-20161.gif</image:loc><image:title>Zoryana Kushpler Rheingold Wien 2016</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/zoryana-kushpler-rheingold-wien-2016.gif</image:loc><image:title>Zoryana Kushpler Rheingold Wien 2016</image:title><image:caption>Zoryana Kushpler / Foto: Lena Kern / zoryana-kushpler.de</image:caption></image:image><lastmod>2019-04-02T19:13:14+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/01/14/kritik-walkuere-wien-2016-adam-fischer-linda-watson-christopher-ventris-ain-anger-waltraud-meier/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/walkc3bcre-wien-waltraud-meier.gif</image:loc><image:title>Walküre Wien Waltraud Meier</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/walkc3bcre-wien-applaus-ende-akt-iii.gif</image:loc><image:title>Walküre Wien Applaus Ende Akt III</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/walkre-wien-applaus-ende-akt-ii.gif</image:loc><image:title>Walküre Wien Applaus Ende Akt II</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/walkre-wien-claire-watson-waltraud-meier-siegmund-sieh-auch-mich2.gif</image:loc><image:title>Walküre Wien Claire Watson Waltraud Meier Siegmund! Sieh auch mich2</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/walkc3bcre-wien-walkc3bcren-akt-iii.gif</image:loc><image:title>Walküre Wien Walküren Akt III</image:title></image:image><lastmod>2019-04-02T19:13:00+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/01/24/kritik-goetterdaemmerung-wien/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/gc3b6tterdc3a4mmerung-staatsoper-akt-iii-rheintc3b6chterszene-mit-siegfried.gif</image:loc><image:title>Götterdämmerung Staatsoper Akt III Rheintöchterszene mit Siegfried</image:title><image:caption>Rheintöchter plauschen mit Siegfried: Andrea Carroll, Rachel Frenkel, 
Juliette Mars, Christian Franz 
/ Foto: staatsoperlive.com</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/gc3b6tterdc3a4mmerung-staatsoper-wien-blutsbrc3bcderschaft.gif</image:loc><image:title>Götterdämmerung Staatsoper Wien Blutsbrüderschaft</image:title><image:caption>So geht Blutsbrüderschaft: Christian Franz, Markus Eiche, Eric Halfvarson / Foto: staastoperlive.com</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/gc3b6tterdc3a4mmerung-staatsoper-brc3bcnnhilde-hagen1.gif</image:loc><image:title>Götterdämmerung Staatsoper Brünnhilde Hagen1</image:title><image:caption>Linda Watson redet Klartext: Da schaut der Eric Halfvarson / Foto: staatsoperlive.com</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/gc3b6tterdc3a4mmerung-staatsoper-wien-akt-i-hagen-gunther-gutrune.gif</image:loc><image:title>Götterdämmerung Staatsoper Wien Akt I Hagen Gunther Gutrune</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/gc3b6tterdc3a4mmerung-staatsoper-wien-vorspiel-schluss.gif</image:loc><image:title>Götterdämmerung Staatsoper Wien Vorspiel Schluss</image:title><image:caption>Hand in Hand ins Verderben: Christian Franz und Linda Watson / Foto: staatsoperlive.com</image:caption></image:image><lastmod>2019-04-02T19:12:32+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/03/30/kritik-wien-parsifal-adam-fischer-violeta-urmana-stephen-gould/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/parsifal-wien-staatsoper-orchester.gif</image:loc><image:title>Parsifal Wien Staatsoper Orchester</image:title><image:caption>Die Wiener Philharmoniker sind bereit für Parsifal, 3. Akt / Foto: arte.tv</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/parsifal-wien-staatsoper-michael-volle-amfortas-akt-iii-5.gif</image:loc><image:title>Parsifal Wien Staatsoper Michael Volle Amfortas Akt III 5</image:title><image:caption>Überidentifikation als Selbstfindung: Michael Volle singt Amfortas / Foto: arte.tv</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/parsifal-wien-staatsoper-violeta-urmana-stephen-gould-2-9akt.gif</image:loc><image:title>Parsifal Wien Staatsoper Violeta Urmana Stephen Gould 2. 9Akt</image:title><image:caption>Applaus Akt II: Klingsor Boaz Daniel, Kundry Violeta Urmana, Parsifal Stephen Gould / Foto: arte.tv</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/parsifal-wien-staatsoper-violeta-urmana-stephen-gould-2-7akt1.gif</image:loc><image:title>Parsifal Wien Staatsoper Violeta Urmana Stephen Gould 2. 7Akt</image:title><image:caption>Blumenmädchenapplaus:  Ileana Tonca, Regine Hangler, Margaret Plummer, Annika Gerhards, Caroline Wenborne, Zoryana Kushpler / Foto: arte.tv</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/parsifal-wien-staatsoper-violeta-urmana-stephen-gould-2-7akt.gif</image:loc><image:title>Parsifal Wien Staatsoper Violeta Urmana Stephen Gould 2. 7Akt</image:title><image:caption>Die Blumenmädchen Ileana Tonca, Regine Hangler, Margaret Plummer, Annika Gerhards, Caroline Wenborne, Zoryana Kushpler / Foto: arte.tv</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/parsifal-wien-staatsoper-violeta-urmana-stephen-gould-adam-fischer1.gif</image:loc><image:title>Parsifal Wien Staatsoper Violeta Urmana Stephen Gould Adam Fischer</image:title><image:caption>Parsifal Staatsoper Wien 2016: Adam Fischer / Foto: arte-tv.de</image:caption></image:image><lastmod>2019-04-02T19:12:02+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/04/16/staatsoper-wien-parsifal-kritik-alvis-hermanis-inszeniert/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/04/parsifal_wien_blumenmc3a4dchen_christopherventris.gif</image:loc><image:title>Parsifal_Wien_Blumenmädchen_ChristopherVentris</image:title><image:caption>Parsifal Christopher Ventris kann sich vor echten Wiener Miedermädls gar nicht retten / Foto: Michael Pöhn</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/04/parsifal_wien_schlussszeneakt3_geraldfinley.gif</image:loc><image:title>Parsifal_Wien_SchlussszeneAkt3_GeraldFinley</image:title><image:caption>Anstaltsgottesdienst: Amfortas Gerald Finley ziert sich noch / Foto: Michael Pöhn</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/04/parsifal_wien_ninastemme_kundry.gif</image:loc><image:title>Parsifal Staatsoper Wien Nina Stemme Kundry</image:title><image:caption>Kundry auf der Freud-Couch / Foto: Michael Pöhn</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/04/parsifal_wien_ninastemme_kundry_christohperventris_akt2.gif</image:loc><image:title>Parsifal Wien Nina Stemme Kundry Christohper Ventris Akt 2</image:title><image:caption>Parsifal im OP: Kundry Nina Stemme / Foto: Michael Pöhn</image:caption></image:image><lastmod>2019-04-02T19:10:59+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2015/10/08/robin-ticciati-dso-neuer-chefdirigent/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/10/robin-ticciati-chefdirigent-dso.gif</image:loc><image:title>Robin Ticciati Chefdirigent DSO</image:title><image:caption>Robin Ticciati Chefdirigent DSO / Foto: dso-berlin.de</image:caption></image:image><lastmod>2019-04-02T19:09:25+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/03/14/kritik-dso-sokhiev-prokojfew-reimann-tarde-claudia-barainsky-mendelssohn-3/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/dso-berlin-sokhiev-philharmonie-berlin.gif</image:loc><image:title>DSO Berlin Sokhiev Philharmonie Berlin</image:title><image:caption>Schau mir in die Augen, Blechinstrument / Foto: dso-berlin.de</image:caption></image:image><lastmod>2019-04-02T19:08:45+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/05/14/dso-tugan-sokhiev-prokofjew-dutilleux-gautier-capucon-mussorgski/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/05/dso-tugan-sokhiev-renaud-capucon-dutilleux-prokofjew-mussorgski.gif</image:loc><image:title>DSO Tugan Sokhiev Renaud Capucon Dutilleux Prokofjew Mussorgski</image:title><image:caption>Tugan Sohkiev und Capucon spielen Prokofjew, Dutilleux und 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Foto: Enrico Nawrath/Bayreuther Festspiele 
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Termine</image:title></image:image><lastmod>2018-07-04T22:05:46+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://konzertkritikopernkritikberlin.blog/2018/06/25/die-komischen-oper-zeigt-barrie-koskys-die-nase/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/06/die-nase-barrie-kosky-komische-oper-berlin.gif</image:loc><image:title>Die Nase Barrie Kosky Komische Oper Berlin</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/06/die-nase-berlin-gc3bcnter-papendell-jens-larsen-rosie-aldridge.gif</image:loc><image:title>Die Nase Berlin Günter Papendell Jens Larsen Rosie Aldridge</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/06/die-nase-komische-oper-berlin-barrie-kosky.gif</image:loc><image:title>Die Nase Komische Oper Berlin Barrie 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Brahms</image:title><image:caption>Spielen im Sitzen, Applaus im Stehen: das Vogler Quartett</image:caption></image:image><lastmod>2018-03-16T23:48:25+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2018/03/06/anna-samuils-liederabend/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/03/img_4157-e1520325969833.jpg</image:loc><image:title>Anna Samuil Liederabend Apollosaal Staatsoper Unter den Linden</image:title></image:image><lastmod>2018-03-09T18:31:22+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2018/01/13/kritik-ariadne-auf-naxos-berlin-staatsoper-2018/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2018/01/brenda-rae-ariadne-auf-naxos-staatsoper-berlin.gif</image:loc><image:title>Brenda Rae Ariadne auf Naxos Staatsoper Berlin</image:title><image:caption>Brenda Rae vor liebeskranker Ariadne / Foto: Monika Rittershaus</image:caption></image:image><lastmod>2018-01-19T18:33:04+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/bayreuther-festspiele/bayreuther-festspiele-spielplan-2017/</loc><lastmod>2017-07-26T07:37:34+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/03/02/kritik-met-parsifal-jonas-kaufmann-katarina-dalayman-rene-pape-evgeny-nikitin/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2013/03/jonas-kaufmann-blumenmc3a4dchen-parsifal-met.jpg</image:loc><image:title>Jonas Kaufmann Blumenmädchen Parsifal MET</image:title><image:caption>So sieht vorsichtiges, aber gut begründetes Interesse aus - Jonas Kaufmann ist Parsifal // Foto: Ken Howard / metoperafamily.org</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2013/03/jonas-kaufmann-parsifal-ken-howard.jpg</image:loc><image:title>Jonas Kaufmann Parsifal</image:title><image:caption>Jonas Kaufmann Parsifal // Foto: Ken Howard / metoperafamily.org</image:caption></image:image><lastmod>2017-07-05T21:39:07+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/04/29/kritik-premiere-fliegender-hollander-staatsoper-berlin-michael-volle-hollander-emma-vetter-senta/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2013/04/21m3206hollaender_ohp.jpg</image:loc><image:title>Senta in der Horizontalen // Foto: / staatsoper-berlin.de</image:title><image:caption>Senta in der Horizontalen // Foto: / staatsoper-berlin.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2013/04/21m3366hollaender_ohp.jpg</image:loc><image:title>Senta Emma Vetter, desillusioniert mit Flasche unterm Kronleuchter // staatsoper-berlin.de / Foto: Matthias Baus</image:title><image:caption>Senta Emma Vetter, desillusioniert mit Flasche unterm Kronleuchter // staatsoper-berlin.de / Foto: Matthias Baus</image:caption></image:image><lastmod>2017-07-05T19:15:56+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/01/31/staatsoper-the-turn-of-the-screw-maria-bengtsson/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/turn-of-the-screw-staatsoper-berlin.gif</image:loc><image:title>Turn of the Screw Staatsoper Berlin</image:title><image:caption>The Turn of the Screw: Thomas Lichteneck und Maria Bengtsson / Foto: Monika Rittershaus / staatsoper-berlin-de</image:caption></image:image><lastmod>2017-07-04T18:52:40+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/07/01/kritik-dso-sokhiev-jelena-firssowa-konzert-fuer-violine-violoncello-und-orchester-tschaikowsky-sinfonie-4/</loc><lastmod>2017-07-01T22:28:12+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/06/17/kritik-ludovic-morlot-berliner-philharmoniker-joyce-didonato-la-mort-de-cleopatre/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/06/joycedidonato_berlioz_lamortdecleopatre_berlinerphilharmoniker_ludovicmorlot-e1497646835136.png</image:loc><image:title>JoyceDiDonato_Berlioz_LamortdeCleopatre_BerlinerPhilharmoniker_LudovicMorlot</image:title></image:image><lastmod>2017-06-18T15:10:58+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/05/28/kritik-premiere-la-damnation-de-faust-staatsoper-berlin-simon-rattle-terry-gilliam/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/05/faust_berlioz_berlin_staatsoper_akt1.jpg</image:loc><image:title>Faust_Berlioz_Berlin_Staatsoper_Akt1</image:title><image:caption>Deutsches Brauchtum mit französischer Musik / Foto: Matthias Baus / staatsoper-berlin.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/05/faust_berlioz_berlin_staatsoper_11.jpg</image:loc><image:title>Faust_Berlioz_Berlin_Staatsoper_1</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/05/faust_berlioz_berlin_staatsoper_magdalenakozena.jpg</image:loc><image:title>Faust_Berlioz_Berlin_Staatsoper_MagdalenaKozena</image:title><image:caption>Nix mit blond: Gretchen mit Menorah / Foto: Matthias Baus / staatsoper-berlin.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/05/faust_berlioz_berlin_staatsoper_akt1_landschaft.jpg</image:loc><image:title>Faust_Berlioz_Berlin_Staatsoper_Akt1_Landschaft</image:title><image:caption>Faust lässt sich gehen / Foto: Matthias Baus / staatsoper-berlin.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/05/faust_berlioz_berlin_staatsoper_1.jpg</image:loc><image:title>Faust Berlioz Berlin_Staatsoper_1</image:title><image:caption>Streit um den Weltkriegskuchen / Foto: Matthias Baus / staatsoper-Berlin.de</image:caption></image:image><lastmod>2017-06-09T05:58:17+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/05/25/kritik-berliner-philharmoniker-riccardo-muti-tschaikowsky-sinfonie-5-schubert-sinfonie-4/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/05/img_0474-e1495667227222.jpg</image:loc><image:title>IMG_0474</image:title></image:image><lastmod>2017-05-26T07:46:41+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/05/19/kritik-berliner-philharmoniker-andres-orozco-estrada-rachmaninow-klavierkonzert-nr-4-andsnes-schostakowitsch/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/05/img_0423-e1495150257284.jpg</image:loc><image:title>IMG_0423</image:title></image:image><lastmod>2017-05-22T14:19:05+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/05/16/kritik-don-carlo-schillertheater-berlin-lianna-haroutounian-pape-sartori-trekel/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/05/img_0389-e1494832443828.jpg</image:loc><image:title>Don Carlo Verdi Staatsoper Berlin</image:title></image:image><lastmod>2017-05-22T06:53:08+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/09/16/kritik-sommernachtstraum-komische-oper-kristiina-poska-nicole-chevalier/</loc><lastmod>2017-05-21T23:03:09+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/05/08/staatskapelle-berlin-lahav-shani-prokofjew-violinkonzert-1-lisa-batiashvili-sinfonien-1-5/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/05/img_0376-e1494196590795.jpg</image:loc><image:title>IMG_0376</image:title></image:image><lastmod>2017-05-07T23:04:46+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/03/22/kritik-parsifal-staatsoper-festtage-barenboim-andreas-schager-rene-pape-wolfgang-koch-waltraud-meier/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/parsifal-staatsoper-2015-blumenmc3a4dchen.jpg</image:loc><image:title>Parsifal Staatsoper 2015 Blumenmädchen</image:title><image:caption>Blumenmädchen / Foto: Ruth Walz</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/parsifal-staatsoper-2015-wolfgang-koch-matthias-hc3b6lle-daniel-barenboim-festtage.jpg</image:loc><image:title>Parsifal Staatsoper 2015 Wolfgang Koch Matthias Hölle Daniel Barenboim Festtage</image:title><image:caption>Matthias Hölle Wolfgang Koch / Foto: Ruth Walz / staatsoper-berlin.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/parsifal-staatsoper-2015-staatsoper-festtage-premiere-2.jpg</image:loc><image:title>Parsifal Staatsoper 2015 Staatsoper Festtage Premiere 2</image:title><image:caption>Parsifal vor Ritter-Polygon</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/03/parsifal-staatsoper-2015-staatsoper-festtage-premiere.jpg</image:loc><image:title>Parsifal Staatsoper 2018 Staatsoper Festtage Premiere</image:title><image:caption>Düstere Szenerie / Foto: Ruth Walz</image:caption></image:image><lastmod>2017-12-19T14:18:42+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2017/04/09/festtage-2017-parsifal-barenboim-andreas-schager-anna-larsson-kundry-rene-pape-gurnemanz/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2017/04/parsifal-staatsoper-berlin-barenboim-tcherniakov-akt-1-gurnemanz.jpg</image:loc><image:title>Parsifalistik, 1. 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Bohème Staatsoper Berlin Sonya Yoncheva Joseph Calleja</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/la-bohc3a8me-staatsoper-berlin-sonya-yoncheva-joseph-calleja-2.gif</image:loc><image:title>La Bohème Staatsoper Berlin Sonya Yoncheva Joseph Calleja 2</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/la-bohme-staatsoper-berlin-sonya-yoncheva-joseph-calleja-2.gif</image:loc><image:title>La Bohème Staatsoper Berlin Sonya Yoncheva Joseph Calleja 2</image:title><image:caption>Joseph Calleja, Sonya Yoncheva, Domingo Hindoyan / Foto: https://www.facebook.com/sonyayonchevaofficial/</image:caption></image:image><lastmod>2016-03-03T22:48:35+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/01/15/kritik-berliner-philharmoniker-thielemann-pollini-chopin-klavierkonzert-nr-1-strauss-intermezzo/</loc><lastmod>2016-03-03T22:47:15+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/10/30/berliner-philharmoniker-late-night-olaf-ott-posaunt/</loc><lastmod>2016-02-20T21:19:17+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/01/21/late-night-gabor-tarkovi-sequenza-x-hk-gruber-kurt-weill-und-andere-nettigkeiten/</loc><lastmod>2016-02-20T21:17:07+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/02/06/kritik-frank-martin-le-vin-herbe-anna-prohaska-marcel-reijans/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/02/levinherbc3a9-staatsoper-berlin-marcel-reijans-2.gif</image:loc><image:title>LeVinHerbé Staatsoper Berlin Marcel Reijans</image:title><image:caption>Da guckt er: Tristan mit Schlips / Foto: twitter.com/marcelreijans</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/02/le-vin-herbc3a9-staatsoper-berlin-marcel-reijans-anna-prohaska.gif</image:loc><image:title>Le Vin Herbé Staatsoper Berlin Marcel Reijans Anna Prohaska</image:title><image:caption>Tristan mit Schlips und Weste / Foto: twitter.com/marcelreijans</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/02/levinherbc3a9-twitter-staatsoper-berlin.gif</image:loc><image:title>LeVinHerbé Twitter Staatsoper Berlin</image:title><image:caption>Le Vin herbé am Berliner Schillertheater. Regie Katie Mitchell / Foto: twitter.com/StaatsoperBLN</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/02/levinherbc3a9.jpg</image:loc><image:title>LeVinHerbé</image:title><image:caption>Le Vin herbé Staatsoper Berlin / Foto: Matthias Baus / staatsoper-berlin.de</image:caption></image:image><lastmod>2016-02-06T08:59:15+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/01/30/dutilleux-debussy-kritik-rsb-janowski-tout-un-monde-lointain/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/rsb-dutilleux-janowski.gif</image:loc><image:title>RSB Dutilleux Janowski</image:title><image:caption>RSB spielt Dutilleux: Janowski und Konstanze von Gutzeit stemmen Dutilleux / Foto: instagram.com</image:caption></image:image><lastmod>2016-01-30T22:33:01+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2016/01/21/ariadne-auf-naxos-brenda-rae-adrianne-pieczonka-roberto-sacca/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/brenda-rae-zerbinetta.gif</image:loc><image:title>Brenda Rae Zerbinetta</image:title><image:caption>"Versucht es mit Musik!": Brenda Rae ist Zerbinetta / Foto: twitter.com/braesingslalala</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/ariadne-auf-naxos-staatsoper-berlin-zerbinetta-brenda-rae2.jpg</image:loc><image:title>Ariadne auf Naxos Staatsoper Berlin Zerbinetta Brenda Rae2</image:title><image:caption>Ariadne auf Naxos Brenda Rae Marina Prudenskaya / Foto: Monika Rittershaus / staatsoper-berlin.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2016/01/ariadne-auf-naxos-staatsoper-berlin-zerbinetta-brenda-rae.jpg</image:loc><image:title>Ariadne auf Naxos Staatsoper Berlin Zerbinetta Brenda Rae</image:title></image:image><lastmod>2016-01-21T14:47:38+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/09/16/andris-nelsons-berliner-philharmoniker/</loc><lastmod>2016-01-18T11:13:47+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/18/gustavo-dudamel-dirigiert-don-giovanni-an-der-staatsoper-berlin/</loc><lastmod>2016-01-14T00:26:17+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2015/12/11/kritik-gounod-faust-staatsoper-berlin-simone-young-tatiana-lisnic/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/12/faust-staatsoper-2.gif</image:loc><image:title>Faust Staatsoper 2</image:title><image:caption>Faust Staatsoper / Foto: Monika Rittershaus</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/12/faust-staatsoper.gif</image:loc><image:title>Faust Staatsoper</image:title><image:caption>Maragerete vor Abendmahlsszenerie / Foto: Monika Rittershaus</image:caption></image:image><lastmod>2016-01-14T00:19:10+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/21/barenboim-parsifalisiert-berlin-i/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2011/07/parsifal-021_monika-rittershaus_hf.jpg</image:loc><image:title>KONICA MINOLTA DIGITAL CAMERA</image:title><image:caption>Herr, lass Gold regnen: Parsifal an der Staatsoper // Foto: Monika Rittershaus / staatsoper-berlin.de</image:caption></image:image><lastmod>2016-01-14T00:17:08+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/18/der-maskenball-mit-catherine-naglestad-und-petr-beczala/</loc><lastmod>2016-01-14T00:11:20+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2015/12/20/kritik-yefim-bronfman-prokofjew-klaviersonaten/</loc><lastmod>2015-12-23T22:16:42+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/21/simon-rattle-dirigiert-pelleas-et-melisande-i/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2011/07/pelleas5_monika-rittershaus_hf.jpg</image:loc><image:title>KONICA MINOLTA DIGITAL CAMERA</image:title><image:caption>Bunte Farben, große Stimmen, ein genialer Simon Rattle am Pult der Staatsoper Berlin // Foto: Monika Rittershaus / staatsoper-berlin.de</image:caption></image:image><lastmod>2015-12-17T12:17:45+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2015/12/08/kritik-la-scala-inaugurazioneprima-giovanna-darco-netrebko-meli-chailly/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/12/la-scala-giovanna-darco-anna-netrebko7.gif</image:loc><image:title>La Scala Giovanna d'Arco Anna Netrebko</image:title><image:caption>La Scala Giovanna d'Arco Anna Netrebko / Foto: Brescia/Amisano / https://twitter.com/AnnaNetrebko</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/12/la-scala-giovanna-darco-anna-netrebko5.gif</image:loc><image:title>La Scala Giovanna d'Arco Anna Netrebko</image:title><image:caption>La Scala Giovanna d'Arco Anna Netrebko / Foto: https://twitter.com/AnnaNetrebko</image:caption></image:image><lastmod>2015-12-21T14:30:48+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/11/10/kritik-berlin-staatsoper-zauberflote-pavol-breslik-anna-siminska-rowan-hellier-michael-kraus/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2012/11/zauberflc3b6te_foto_monika-rittershaus.gif</image:loc><image:title>Schinkel, Schinkel, Schinkel: Zauberflöte Staatsoper Berlin / Foto: Monika Rittershaus / staatsoper-berlin.de</image:title><image:caption>Schinkel, Schinkel, Schinkel: Zauberflöte Staatsoper Berlin / Foto: Monika Rittershaus / staatsoper-berlin.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2012/11/zauberflc3b6te_foto_monika-rittershaus_klein.jpg</image:loc><image:title>Schinkel, Schinkel, Schinkel: Zauberflöte Staatsoper Berlin / Foto: Monika Rittershaus / staatsoper-berlin.de</image:title><image:caption>Schinkel, Schinkel, Schinkel: Zauberflöte Staatsoper Berlin / Foto: Monika Rittershaus / staatsoper-berlin.de</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2012/11/zauberflc3b6te_foto_monika-rittershaus_hf.jpg</image:loc><image:title>KONICA MINOLTA DIGITAL CAMERA</image:title><image:caption>KONICA MINOLTA DIGITAL CAMERA</image:caption></image:image><lastmod>2015-11-20T14:20:45+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/02/26/le-nozze-di-figaro-staatsoper-d-roschmann-a-prohaska-chr-schafer-v-priante-a-rucinski/</loc><lastmod>2015-11-08T11:29:09+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2015/10/10/wladimir-jurowski-wird-nachfolger-von-marek-janowski-beim-rsb/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/10/wladimir-jurowski-chefdirigent-rsb.gif</image:loc><image:title>Wladimir Jurowski Chefdirigent RSB</image:title><image:caption>Jung, erfolgreich, Chef: Wladimir Jurowski ist designierter Chefdirigent des RSB / Quelle: rsb-online.de</image:caption></image:image><lastmod>2015-10-11T16:38:00+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/21/kent-nagano-dirigiert-beethoven/</loc><lastmod>2015-10-08T14:38:04+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2015/09/30/kritik-der-thalheimer-freischuetz-an-der-staatsoper-berlin/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/09/anna-samuil-agathe-freischc3bctz-berlin-staatsoper.jpg</image:loc><image:title>Anna Samuil Agathe Freischütz Berlin Staatsoper</image:title><image:caption>Auch Agathe kann Selfie: Anna Samuil / Foto: Anna Samuil / Quelle: facebook.com</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/09/freischuetz_011.jpg</image:loc><image:title>Freischütz Berlin Staatsoper 2015</image:title><image:caption>Freischütz Berlin Staatsoper 2015</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/09/freischuetz_115.jpg</image:loc><image:title>Der Freischütz Staatsoper Berlin Inszenierung Thalheimer</image:title><image:caption>Der Freischütz Staatsoper Berlin Inszenierung Thalheimer / Foto:  staatsoper-berlin.de</image:caption></image:image><lastmod>2015-10-02T12:59:43+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2015/09/17/musikfest-berlin-rsb-nielsen-sinfonie-nr-3-karen-cargill/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/09/musikfest-berlin-2015-rsb.gif</image:loc><image:title>Musikfest Berlin 2015 RSB</image:title><image:caption>So sieht ein expansives Thema einer expansiven Sinfonie aus / Quelle: facebook.com</image:caption></image:image><lastmod>2015-09-20T10:27:04+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2015/06/01/bayreuther-festspiele-spielplan-besetzung-2015/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/05/bayreuth2.jpg</image:loc><image:title>Bayreuther Festspiele Götterdämmerung 2015 Besetzung</image:title><image:caption>Bayreuther Festspiele Götterdämmerung 2015 Besetzung</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/05/bayreuth1.jpg</image:loc><image:title>Bayreuther Festspiele 2015 Spielplan</image:title><image:caption>Bayreuther Festspiele 2015 Spielplan</image:caption></image:image><lastmod>2015-08-12T12:53:07+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2015/08/05/kritik-fidelio-salzburg-2015-jonas-kaufmann-adrianne-pieczonka-franz-welser-moest/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/08/claus-guth-fidelio-salzburg-2015-ensemble.gif</image:loc><image:title>Claus Guth Fidelio Salzburg 2015 Ensemble</image:title><image:caption>Claus Guth inszeniert Fidelio: 6 Sänger, 2 Schatten / Foto: Monika Rittershaus, salzburgerfestspiele.at</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/08/fidelio-salzburg-jonas-kaufmann-adrienne-pieczonka.gif</image:loc><image:title>Fidelio Salzburg Jonas Kaufmann</image:title><image:caption>Florestan Jonas Kaufmann / Foto: Monika Rittershaus, salzburgerfestspiele.at</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/08/fidelio-salzburg-jonas-kaufmann.gif</image:loc><image:title>Fidelio Salzburg Jonas Kaufmann Adrienne Pieczonka</image:title><image:caption>Salzburg Fidelio: Jonas Kaufmann Adrienne Pieczonka / Foto: Monika Rittershaus, salzburgerfestspiele.at</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/08/fidelio-salzburg-pizarro.gif</image:loc><image:title>Fidelio Salzburg Pizarro</image:title><image:caption>Schatten: Pizarro Tomasz Konieczny / Foto: Monika Ritterhaus, salzburgerfestspiele.at</image:caption></image:image><lastmod>2015-08-07T12:07:51+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2015/06/28/kritik-premiere-pelleas-et-melisande-opernfestspiele-munchen-elena-tsallagova-elliot-madore-constantinos-carydis/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/06/pelleas-e-madore.gif</image:loc><image:title>Pelleas Elliot Madore</image:title><image:caption>So schön können Freizeithemden sein: Elliot Madore (Pelléas)</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/06/pelleas-elena-tsallagova2.gif</image:loc><image:title>Elena Tsallagova Sopran</image:title><image:caption>Sopran mit Haarband: Elena Tsallagova</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/06/pelleas-elena-tsallagova.gif</image:loc><image:title>Mélisande Elena Tsallagova</image:title><image:caption>Mélisande Elena Tsallagova</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/06/pelleas-elliot-madore.gif</image:loc><image:title>Pelléas Elliot Madore Selfies und anderes</image:title><image:caption>Pelléas Elliot Madore Selfies und anderes</image:caption></image:image><lastmod>2015-06-29T13:15:14+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2015/06/28/kritik-waldbuhne-2015-berliner-philharmoniker/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/06/waldbc3bchne2.gif</image:loc><image:title>Waldbühne2</image:title><image:caption>Frau Willis twittert, da kommt man kaum mit.</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/06/waldbc3bchne.gif</image:loc><image:title>Auch Hornisten dürfen einmal im Jahr bescheuert aussehen. Waldbühnekonzert 2015. Quelle: twitter.com.</image:title><image:caption>Auch Hornisten dürfen einmal im Jahr bescheuert aussehen. Waldbühnekonzert 2015. Quelle: twitter.com.</image:caption></image:image><lastmod>2015-06-28T21:34:00+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/06/19/waldbuhne-berlin-philharmoniker-offentliche-generalprobe/</loc><lastmod>2015-06-28T20:46:09+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2012/11/06/bayreuth-thielemann-tristan-2015-und-lohengrin-2018-nelsons-parsifal-2016/</loc><lastmod>2016-08-06T18:01:53+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2015/05/11/berliner-philharmoniker-nachfolger-rattles-noch-nicht-gewahlt/</loc><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/05/nelsons-wahl-witzig-geissler1.gif</image:loc><image:title>Nelsons Wahl witzig GEISSLER</image:title><image:caption>Es gab ein Moment, da keimte Hoffnung auf</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/05/nelsons-wahl-witzig-bratscher1.gif</image:loc><image:title>Na typisch.</image:title><image:caption>Na typisch.</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/05/nelsons-wahl-witzig-klopp1.gif</image:loc><image:title>Wenn wir erhlich sind, ist vielleicht ganz gut so.</image:title></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/05/nelsons-wahl-witzig-thielemann-fragen-jetzt-hannigan.gif</image:loc><image:title>Mensch. Jetzt geht der Thielemann nicht ran.</image:title><image:caption>Mensch. Jetzt geht der Thielemann nicht ran.</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/05/nelsons-wahl-witzig-mauerc3b6ffnung1.gif</image:loc><image:title>Genau. Schalck-Golodkowski fehlte noch.</image:title><image:caption>Genau. Schalck-Golodkowski fehlte noch.</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/05/nelsons-wahl-witzig-telemann1.gif</image:loc><image:title>Telemann? Okaaayyyy.</image:title><image:caption>Telemann? Okaaayyyy.</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/05/nelsons-wahl-witzig-guardiola1.gif</image:loc><image:title>Schitte. Guardiola macht's nicht</image:title><image:caption>Schitte. Guardiola macht's nicht</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/05/nelsons-wahl-lang-lang2.gif</image:loc><image:title>Lang Lang gratuliert zu früh</image:title><image:caption>Lang Lang gratuliert zu früh</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/05/nelsons-wahl-gerhardt-mit-dementi.gif</image:loc><image:title>Alban Gerhardt dementiert</image:title><image:caption>Alban Gerhardt dementiert</image:caption></image:image><image:image><image:loc>https://konzertkritikopernkritikberlin.blog/wp-content/uploads/2015/05/nelsons-wahl-sarah-willis2.gif</image:loc><image:title>Sarah Willis' Falsch-Tweet</image:title><image:caption>Sarah Willis' Falsch-Tweet</image:caption></image:image><lastmod>2015-05-13T08:52:53+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2015/01/13/kritik-berliner-philharmoniker-simon-rattle-tristanvorspiel-sibelius-5-sinfonie-widmann-urauffuhrung-trauermarsch-bronfman/</loc><lastmod>2015-03-26T14:21:26+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2014/05/03/kritik-europakonzert-berliner-philharmoniker-barenboim-elgar-falstaff-tschaikowski/</loc><lastmod>2014-08-11T20:01:24+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/21/daniel-barenboim-parsifalisiert-berlin-ii/</loc><lastmod>2014-08-10T19:33:25+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2014/06/07/kritik-berliner-philharmoniker-semjon-bychkow-don-quixote-schubert-8-sinfonie/</loc><lastmod>2014-06-10T21:15:48+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/03/05/staatsoper-berlin-festtage-programm-2014-mit-placido-d-mit-wiener-philharmonikern-mit-martha-argerich/</loc><lastmod>2014-04-13T10:01:01+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2014/03/19/staatskapelle-berlin-daniel-barenboim-elliott-carter-instances-dorothea-roschmann-4-letzte-lieder-sacre-du-printemps/</loc><lastmod>2014-03-27T16:35:02+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2011/07/18/der-spieler-daniel-barenboimalexander-vitlin-dimitri-tscherniakov/</loc><lastmod>2014-03-12T20:11:29+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2014/02/17/kritik-berliner-philharmoniker-simon-rattle-haydn-pasticcio-mozart-uchida-messiaen/</loc><lastmod>2014-02-23T12:44:42+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2014/01/20/claudio-abbado-tot/</loc><lastmod>2014-01-24T08:18:02+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog/2013/04/25/staatsoper-saison-20132013-trovatore-netrebko-domingo-rattle-katja-kabanova/</loc><lastmod>2014-01-18T12:43:26+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://konzertkritikopernkritikberlin.blog</loc><changefreq>daily</changefreq><priority>1.0</priority><lastmod>2026-04-01T08:14:42+00:00</lastmod></url></urlset>
